După ce participă cu opt tablouri la o expoziție organizată în 1913 la Armory Show în Statele Unite, se întoarece în Portugalia și, în același an, expune în Lisabona, Porto, precum și în Germania, la Berlin în galeria "Der Sturm". The Calouste Gulbenkian Foundation uses cookies to improve your browsing experience, security, and its website performance. Centro de Arte Moderna José de Azeredo Perdigão, Pozzo's Perspectiva pictorum et architectorum, Website van het Amadeo de Souza-Cardoso Museum, https://nl.wikipedia.org/w/index.php?title=Amadeo_de_Souza-Cardoso&oldid=49951224, Wikipedia:Commonscat met paginatitel zelfde als op Wikidata, Creative Commons Naamsvermelding/Gelijk delen. It was through them that his circle of relations recuperated Eduardo Viana, and extended to Almada Negreiros.
Amadeo de Souza-Cardoso (* 14 noiembrie 1887, Manhufe/Portugalia - † 25 octombrie 1918, Espinho) a fost un pictor portughez modernist, precursor al curentelor de avangardă. Face cunoștință cu pictorul Amedeo Modigliani, de care îl va lega o trainică prietenie. After a brief stay in Barcelona where he visited his friend, the sculptor León Solá, and met Gaudí, Amadeo returned to Manhufe where he was surprised by the outbreak of the War, which kept him from going back to Paris. Some of these cookies help us to adapt advertising outside of our website to the interests of the users. Meanwhile, through Almada, Amadeo got in contact with the group of the Lisbon “Futuristas,” initially gathered around the Orpheu magazine. Leven en werk. Na 1911 raakte hij geïnvolveerd in de avantgardistische kunstenaarswereld op Montmartre en verkeerde met vooraanstaande jonge kunstenaars als Edith Stein, Amedeo Modigliani, Juan Gris, Pablo Picasso, Constantin Brâncuși, Alexander Archipenko, Sonia, Robert Delaunay en beeldhouwer Otto Freundlich. For instance, he dialogues with Picasso's papiers c... ollés through painting instead of collage, converts Robert Delaunay's abstract simultaneous disks into bug targets and adds a colourful palette to his explicit comments on Picasso's paper guitars and African masks. Amadeo de Souza-Cardoso (Manhufe, freguesia de Mancelos, Amarante, 14 de novembro de 1887 – Espinho, 25 de outubro de 1918) foi um pintor português. În 1953, biblioteca orășenească din Amarante a primit numele său. The mismatched aesthetic culture in Portugal foiled a favourable reception of Amadeo’s pictorial propositions, and these shows acquired an aura of scandal (marked, in the extreme, by a physical assault to the painter). Benché abbia avuto una breve esistenza, la sua alacrità era leggendaria. Amadeo submitted a total of eight works, alongside Braque (1882-1963), Matisse, Duchamp (1887-1968), Gleizes (1881-1953), Herbin and Segonzac (1884-1974). De la acesta din urmă preia dispunerea nuanțelor de culori în cercuri suprapuse ("Cap de femeie"), caracteristică orfismului. În 1925, în Franța se organizează o expoziție retrospectivă cu 150 tablouri ale sale. In December 1916 Amadeo promoted, first in Porto and then in Lisbon, an exhibition for which he had gathered 114 paintings under the title Abstraccionismo. In September 1913, after yet another studio relocation (which led him to settle in Montparnasse, at rue Ernest Cresson), he would be represented at the I Herbstsalon in Berlin, organized by the Der Sturm gallery. In 2006, on occasion of the exhibition Amadeo de Souza-Cardoso – Diálogo de Vanguardas, CAM and Assírio & Alvim published it in a facsimile edition, under the title A Lenda de São Julião Hospitaleiro. Artists Amadeo de Souza Cardoso. These cookies may be our own and / or owned by third parties. The studio he rented at 14, Cité Falguiére became a place for gatherings and bohemia, with the frequent presence of artists such as Manuel Bentes, Eduardo Viana (who went with him on a trip to Brittany in 1907), Emmerico Nunes, Domingos Rebelo and Smith. In the meantime, his circle of friends and acquaintances increased and became more international. The contacts he established during these years would allow him to participate in a series of important group exhibitions, among which the famous International Exhibition of Modern Art in 1913, also known as the Armory Show, that displayed European modern art for the first time in the USA (New York, Chicago and Boston).
In 1913 exposeerde hij op de Armory Show te New York en bij Galerie Der Sturm te Berlijn, en vestigde zijn naam als vooraanstaand postmodernistisch kunstschilder.
With the end of 1908, and beginning of the following year, came important changes to Amadeo’s life: he met Lucia Pecetto (1890-1989), who he married in 1914, and he began attending the classes by Spanish painter Anglada-Camarasa (1871-1959) at Academia Viti. Amadeo DE SOUZA-CARDOSO (1887-1918) (Portugal) is an artist born in 1887 The oldest auction result ever registered on the website for an artwork by this artist is a painting sold in 2002, at Palacio Do Correio-Velho, and the most recent auction result is a print-multiple sold in 2020. By the late 1916, in a known interview he gave to the O Dia newspaper, he largely paraphrased Marinetti’s manifestos. Amadeo de Souza-Cardoso's work is heterogeneous and appropriates aspects from several avant-garde movements. Amadeo de Souza-Cardoso. După terminarea liceului în Amarante, frecventează Academia de Belle-Arte din Lisabona și - în același timp - un curs de arhitectură.
If, whilst in Paris, his work had explored the fields of abstraction, and then followed through paths compromised with Expressionism, the exile in Portugal would end up becoming a moment of full maturity in his painting, approaching many of the questions that were raised by the domain of collage. Ook het Centro de Arte Moderna José de Azeredo Perdigão te Lissabon heeft een groot aantal van zijn schilderijen in collectie. He was also in contact with Juan Gris (1887-1927), Max Jacob (1879-1944), Sonia and Robert Delaunay, Brancusi (1876-1957), Archipenko (1887-1964), Umberto Brunelleschi (1879-1947) and Diego Rivera (1886-1957), among others.
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