home by warsan shire publisher


Cite this: Haith, Chelsea.

is wearing my body. you have to understand, stripped and searched, find prison everywhere

Analyzing this poem from an outsider perspective reduces my capacity to fully engage with the nuanced information.

I do not know where I am going, where I have come from is disappearing, I am unwelcome and my beauty is not beauty here.
*They ask me how did you get here?

mouth. Dance is also ephemeral in the sense that the performance of movement disappears by the conclusion of the dance piece, sometimes earlier, but this highlights how communication (dance and translation) isn’t always archived for storage means. Across the world, churches slam their doors into the faces of LGBTIQ congregants. God, do you know how

waiting until the airport toilet Ich hab Lust auf Sex, aber mein Haar riecht nach Krieg und Flucht und Fliehen. In this poem, Shire articulates the former home as both ‘the mouth of a shark’ and ‘the barrel of a gun’, two terms that have caught the imagination of human rights activists working on issues of migrant fatality, political instability in regions of conflict, and violence against and between asylum-seekers.

In 2013-2014, she was the Young Poet Laureate for London.

Publisher: flipped eye, London, 2011, 978-1-905233-29-8 . Är de verkligen så arroganta. Jag trodde havet var tryggare än land. First Young Poet Laureate for London, 2014

with


In 2013 she was awarded the inaugural Brunel University African Poetry Prize, chosen from a shortlist of six candidates out of a total 655 entries. Don't LGBTIQ Africans have a right to religious freedom, too? Jag rev sönder och åt mitt pass i ett flygplatshotell. *Några saker tar jag som sanna. the mouth of a shark. They ask me how did you get here? Warsan Shire’s ‘Conversations About Home (at the Deportation Centre)’ may be found in Teaching My Mother How to Give Birth (2011), p. 55.

Queensland (Australia’s) Poet in Residence, warsan versus melancholy (the seven stages of being lonely), Warsan Shire and Beyoncé: Superheroes for Our Time, Article about Warsan Shire in The Guardian.

Are they really this

Cookbook design: Gluten Free Vegetarian Mediterranean. Home, by Warsan Shire, depicts the visceral ruminations and response of an immigrant when encountering the fac. The mundane is made strange, and vice versa.

I think the moment we began to produce translated works, the “reproductions” become new productions themselves. softer than a limb torn off, leave what you could not behind, The Libyan desert red with immigrant bodies shot in the face for trying to enter, the Gulf of Aden bloated with immigrant bodies.

Allah Ceebta, ich zerriss und aß den eigenen Reisepass in einem Flughafenhotel.

For both translations, I attempted to maximize the theme (immigration) throughout the reproduced work.

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leave, run now, i don’t know what

Look at all these borders, foaming at the mouth with brown bodies broken and desperate. Is it anti-Catholic to ask a Supreme Court nominee how her religion affects her decisions. This article is published under a Creative Commons Attribution-NonCommercial 4.0 International licence. in pieces—for now, forget about pride Besides the dance translation I just completed, I also completed an inter-lingual and vowel removal translation. unless home chased you to the shore Your daughter is ugly. The president’s scattershot performance squandered any goodwill he may have garnered. All I can say is, I Your email address will not be published.

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