I hate to pick favorites, but I really enjoyed Rudyard Kipling's "Sestina of the Tramp-Royal" and TS Eliot's "The Love Song of J Alfred Prufrock." Ah, here we go, because this is an academic exercise which can throttle words or language hustling them into a labor camp. 0000001040 00000 n
For example, Edward Thomas, a prominent reviewer in his day and a close friend of Robert Frost's, is represented by "Rain," an absolutely brilliant blank-verse poem which begins: Rain, midnight rain, nothing but wild rain On this bleak hut, and solitude, and me Remembering again that I shall die And neither hear the rain nor give it thanks For washing me cleaner than I have been Since I was born into this solitude. Reading how Strand and Boland view a dozen poems transforms the way one reads.
Any unit of recurring meter and rhyme – or variants of them – used in an established pattern of repetition and separation in a single poem. It has a decent collection of some poems but not enough to make it an anthology. I was assigned this in an English class and we jumped around, but the book is concise in its explanations, and the selection of poems is superb! "The editors point out Millay's heavy reliance on assonance and alliteration, and then note how she takes advantage of the different tempos the sonnet offers:"Here she uses her distinctive music and high diction to produce an unusually quick-paced poem in the first octave and then a slower, more reflective septet where the abandoned lover becomes a winter tree. For a book published by Norton as a Norton Anthology of Poetic Forms, this book is a disappointment, and some of the blame can be placed squarely on the shoulders of the two editors, poets Mark Strand, and Eavan Boland, for whom this was clearly not a labor of love. Eavan Boland (1944--2020) was the author of more than a dozen volumes of poetry, including Outside History and several volumes of nonfiction, and was coeditor of the anthology The Making of Poem. Similarly, mystery often drives poets to write, as Strand explains in his essay on Archibald MacLeish's "You, Andrew Marvell," which Strand describes as the first poem he wished he had written himself in his early years as a poet:"Although I no longer wish I had written 'You, Andrew Marvell,' I wish, however, that I could write something like it, something with its sweep, its sensuousness, its sad crepuscular beauty, something capable of carving out such a large psychic space for itself&. The class structure extended out from the book format. This is a very well-organized introduction to the various forms of poetry, as well as a solid overview of the history and development of poetry throughout the world. I hate to pick favorites, but I really enjoyed Rudyard Kipling's "Sestina of the Tramp-Royal" and TS Eliot's "The Love Song of J Alfred Prufrock.". Here, we learn that the pantoum is "Malayan in origin and came into English, as so many other strict forms have, through France." I used it in this semester's Advanced Poetry Writing course, and it's worked very well. A little flowery for my taste, but a good reference for a general list of historic poetic form. Finally finished! �I[J�J҄� 1H(LR
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����ÄE)Z�P���+��dۀ����K?���p�G�$M���q��#m�J��r��cc܂��q�"i][� "Concise, learned, revisionary... should enrich the passionate conversation about poetic forms for years to come. Our professor was the best kind of MFA-type instructor, himself a great poet.
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Just a moment while we sign you in to your Goodreads account. The books lays out common poetic forms with examples and clear directions. I suppose I thought that I'd learn something about poetry and honestly I looked and looked. This was such a great guide in all my poetry classes and could not sell it back to the school. It is the perfect form for the evocation of a past time." But I began to ask myself why I didn't like this book as I swished back and forth through the pages looking for clues. y!ȣ�9�*�(�c�9D<1P�,�9U�=E� zr��*�)� �9C���+�!�9͖�DDDDDDDDDDDDDDD������������J?����i�yh0�c*�ʠ�@��pt��A�!���'�F8a��rW�J�#���7�i�@��M��;}~�k����������^�9�������V����)����md��$?������uHRI$�I�J���K�i�~N������KO^��`�V�¨$�T�! I just wish they had spent more time on each form instead of having thirty pages of famous poems between each chapter. In this case, it's the "Pantoum of the Great Depression" by Donald Justice. It is very nice to have one that goes over all different forms. trailer
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Highly recommend as both an intro book and reference book. It's not that you can't find "how-to's" of forms everywhere, but the choices of poems that Mark Strand made to illustrate each form opens the heart and intellect simultaneously. It was not hard for me to piece it together, but, for anyone looking at poetry for the first time, certain things could easily be misunderstood or missed altogether. A friend gave me a copy of this book after learning that I had written a few poems of the pantoum variety. 0000001193 00000 n
The two downsides are that, one, its examples are limited in what parts of the history they show and, two, The description of the different forms is not always as well explained as it could be. The two downsides are that, one, its examples are limited in what parts of the history they show and, two, The description of the different forms is not always as well explained as it could be. This book is incredible if you wanted to dabble in poetry or if you just wanted to get a varied book of poems. 0000009711 00000 n
(The poems in the book speak eloquently for themselves.)
April 17th 2001 The forms are divided into three overarching categories: metrical forms, shaping forms, and open forms. It was not hard for me to piece it together, but, for anyone looking at poetry for the first time, certain things could easily be.
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