this section. Nelson is fascinated and a little repulsed by what plays out on stage, “the knee-jerk quarantining of the feminine or the maternal from the realm of intellectual profundity”. There’s some S&M (Dodge’s gift, Nelson tells us at one point, is to reveal the tenderness of violence) and there’s a lot of anal sex.
ifteen years ago the poet, academic and pioneering writer-of-the-self. “The most important job in the world” is such a sentimental truism that even women who don’t want to have children report having to explain themselves to incredulous busybodies. The Argonauts is published by Melville House (£8.99). Nelson and Dodge marry at Norwalk City Hall and then have a ceremony at the Hollywood Chapel, a hole in the wall on the same street where Nelson lived for three years. Nelson admits she is devoted to Wittgenstein’s idea “that the inexpressible is contained – inexpressibly! The Argonauts has been touted as “genre-bending” nonfiction, but honestly, it just felt like a lengthy college essay that had no idea what it wanted to be. I picked this book up because Carrie Brownstein mentioned reading and loving it in the Q&A to her most recent audiobook. This isn’t Nelson’s way. To become a mother is to learn, among many other things, that mothers are treated as both central and peripheral to American culture.
Celebrated US writer explores ‘the queer part’ of her life with both tenderness and intellectual rigour, writes Sinéad Gleeson
My full review, as well as my other thoughts on reading, can be found on, this book cracked me open like a walnut.
She's unpredictable, "genre-bending," as her publisher says, and is never boring, though she is by now predictably unpredictable. Of course, it's also a million other things, too.
I read her books about the murder of her aunt in Ann Arbor because I recalled that serial killer story from that time when I lived in Michigan, and "enjoyed' her take on the scene. Free UK p&p over £10, online orders only. In “The Argonauts,” the poet and critic Maggie Nelson recalls an art history seminar she attended with the scholars Jane Gallop and Rosalind Krauss. In “The Argonauts,” the poet and critic Maggie Nelson recalls an art history seminar she attended with the scholars Jane Gallop and Rosalind Krauss. An editor .
Queer Parents: Family Structures in Moving Forward Sideways Like a Crab and The Argonauts; Jason and the Argonauts and the … The first paragraph either invites or repels, as she discusses anal sex with her partner. At 143 pages, “The Argonauts” contains much more than its unassuming size would suggest, a discrepancy befitting an exploration of what may and may not be contained by our physical selves. Maggie Nelson's The Argonauts is a genre-bending memoir, a work of "autotheory" offering fresh, fierce, and timely thinking about desire, identity, and the limitations and possibilities of love and language. The Argonauts is a mosaic of theory, self-examination, and an investigation on the limits of language, the possibilities of love, and the uncompromising belief in fluidity in identity, gender, family.
“Whenever anyone asked me why I want to have a baby, I had no answer,” she recalls.
Was I just reacting against convention? May 5, 2015: that was when Maggie Nelson’s ninth book, “The Argonauts,” came out.
Maggie’s son emerges into life as Harry’s mother is ushered out of it: this is the beginning and the end of life as two processes of troubled, violent becoming rendered tender by love. We were two human animals undergoing transformation beside each other.”. Long before Harry, and motherhood, Nelson attends a panel talk between art critic Rosalind Krauss and literary theorist Jane Gallop. “There is much to be learned,” Nelson writes, “from wanting something both ways.”. Yet actual mothering is accorded little social or economic value beyond hazy reverence and pious declarations. Nelson is clearly brilliant. I wanted to love it. I have those writings, which raised me and guided me like nothing else, to thank for that. I found it incredibly inaccessible. Click here to buy it for £7.19. “Maggie Nelson slays entrenched notions of gender, marriage, and sexuality with lyricism, intellectual brass, and soul-ringing honesty in The Argonauts.”―Vanity Fair “Reading Maggie Nelson is like watching a high-wire act.
Here's what I liked: I liked the way Nelson writes about motherhood. Instead, she, like Sedgwick, wants it both ways – wanting to be both radical and happy. I am not sure I can articulate how much I loved this short book.
. Since it’s short, I sped up the unemotional, robotic audio and continued. Not affiliated with Harvard College. “Becoming homogenized and part of mainstream domesticity is transgressive for somebody like me. A little more dense and academic then I expected, but all woven together masterfully.
Honest, unashamed, full of a joy with a hugeness to it. 'In The Argonauts, Maggie Nelson turns 'making the personal public' into a romantic, intellectual wet dream. My review that ran in the Chicago Tribune: I don't know why it's taken me this long to read Maggie Nelson, but I was starting to worry that.
To see what your friends thought of this book. But she’s conscious of the dangers of “homonormativity” – of the speed with which gay Americans have married and even joined the military – and aware that the more the state opens its institutions to the GLBTQ world, the less that world will “be able to represent or deliver on subversion, the subcultural, the underground, the fringe”. Nelson has consistently done this and, in her latest book, explores “the demand that anyone live a life that’s all one thing”. Nelson is engaging, funny and has a wonderfully poetic way with words. Gallop talked about being photographed as a mother with her infant son, wanting to suggest that motherhood had some significance beyond the “troublingly personal, anecdotal, self-concerned”; Krauss, who helped found the poststructural journal October, wanted to keep the structural divide pristine. At this seminar, Gallop presented a number of intimate photographs cataloging her motherhood, to which Krauss responded with contempt and even disgust. An intrepid voyage out to the frontiers of the latest thinking about love, language, and family Maggie Nelson's The Argonauts is a genre-bending memoir, a work of "autotheory" offering fresh, fierce, and timely thinking about desire, identity, and the limitations and possibilities of love and language. It centered on really interesting ideas about queer identity and parenthood that I'm sure will swirl around in my brain for a while. Just as Harry’s Top surgery (double mastectomy) changes his body, pregnancy impacts on Nelson. She pays tribute to the young woman in “The Shining” who embraces Jack Nicholson’s character and turns into a “decaying, cackling crone, her arms outstretched in desire toward the man who is backing away,” because “she didn’t get the memo about being beyond wanting or being wanted.” Genres in this book are bent beyond recognition; boundaries are transcended and ignored. Her previous projects include a book about her murdered aunt (Jane: A Murder) and a meditation on the colour blue (Bluets), but The Argonauts is a different excavation of the personal. As Nelson remembers it, the undercurrent of Krauss’s argument was that discussion of such photos was “contaminating serious academic space” and “Gallop’s maternity had rotted her mind.”, When Nelson attended the seminar, she was more than a decade away from having a child herself, and she writes searchingly of becoming a stepmother to her partner’s son and eventually having a son of her own.
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