: […] Canova's independence allowed him to indulge his predilection for free-standing sculptures of one or a few idealized figures drawn from classical mythology. Pavanello, Giuseppe, and Giandomenico Romanelli, eds. Lire la suite, Les musées du Vatican à Rome abritent les collections d’art de la cité papale depuis le début du xv e siècle, dans les palais du Vatican et dans divers autres édifices appartenant au Saint-Siège. He displayed a talent for sculpture while still very young and by 1774 had established his own studio in Venice, where he produced portrait busts and other sculptures for the Venetian nobility. Both works are notable for dependence upon Hellenistic sources, idealized perfection of the forms, fluidity of line, graceful modeling, and exquisitely refined detail. Despite wars and political upheaval, Canova was able to maintain a flourishing professional practice
Il commence bientôt à travailler pour son propre compte, et reçoit de son patron une commande pour un groupe : les sculptures Orphée et Eurydice. Monarchs and nobility from across Europe came to him with commissions; even the fledgling and financially strapped state of North Carolina turned to him for a statue of George Washington. After damaging a sculpture by Italian Neoclassical artist Antonio Canova at the Museo Antonio Canova in Possagno, Italy, an Austrian tourist has turned himself in to authorities. Canova's last years were spent in executing commissions for various British patrons and in the construction and decoration of a parish church in Possagno, which still stands as a monument to his Catholic piety, fame, and neoclassical aesthetic. : […] In 1805, by which time his reputation as the most eminent sculptor in Europe was firmly established, he was appointed by Pope Pius VII as inspector general of fine arts and antiquities for the Papal States. Antonio Canova was a neoclassical Italian sculptor and painter who was born in Possagno, Italy, on November 1st, 1757.
More biographies of Canova appeared in his lifetime than did for any other artist prior to him. Please ensure your comments are relevant and appropriate.
World Encyclopedia. Antonio Canova (Italian pronunciation: [anˈtɔːnjo kaˈnɔːva]; 1 November 1757 – 13 October 1822) was an Italian Neoclassical sculptor, famous for his marble sculptures.Often regarded as the greatest of the Neoclassical artists, his artwork was inspired by the Baroque and the classical revival, but avoided the melodramatics of the former, and the cold artificiality of the latter. "Antonio Canova However, the date of retrieval is often important. Vers la fin de la dernière année de sa vie, il effectue sa visite annuelle au lieu de sa naissance, où il subit une rechute. .
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La maladie qui le suit depuis sa jeunesse, une dépression au niveau des côtes causée par l'utilisation continue d'outils de sculpture, l'emporte à son retour à Venise. ." Canova. We want to hear from you!
The leading proponent of neoclassicism and Italy's last internationally famous artist, the sculptor Antonio Canova, born in the village of Possagno in 1757, rose to celebrity from humble origins. He vigilantly preserved his independence. URL : https://www.universalis.fr/encyclopedie/antonio-canova/, Encyclopædia Universalis - Contact - Mentions légales - Consentement RGPD, Consulter le dictionnaire de l'Encyclopædia Universalis. consulté le 09 octobre 2020. All contributions are moderated. The sculptor's admiration for Napoleon's first wife, Joséphine, and his delight in working for her, however, are beyond dispute. National Portrait Gallery, St Martin's Place, London, WC2H 0HESwitchboard: +44 (0) 20 7306 0055, Find out more about the Inspiring People project, National Portrait Gallery, St Martin's Place, London, WC2H 0HE Canova produced many paintings and drawings, but he used these media primarily to explore ideas for sculpture. Il étudie l'art antique et sculpte, tout au long de sa vie, diverses statues inspirées des mythologies grecque et romaine, ainsi que des cénotaphes, des bustes et des statues en pied de divers pers… Malgré les intentions pieuses de Canova et bien qu’il ait été déjoué dans ce cas, il doit se résoudre à consacrer un sanctuaire dédié à la cause cléricale. Retrieved October 01, 2020 from Encyclopedia.com: https://www.encyclopedia.com/history/encyclopedias-almanacs-transcripts-and-maps/canova-antonio-0. He had received no formal education, but now immersed himself in the study of ancient Greece and Rome.
Si, selon la critique moderne, les fondements du néo-classicisme se trouvent dans les phénomènes que l'on vient d'esquisser, il faut reconnaître aussi l'importance de facteurs auxquels on attribuait autrefois la paternité du style néo-classique, notamment les fouilles d'Herculanum entreprises en 1748 par Charles III de Bourbon, roi de Naples, dont les résultats furent publiés dans les huit magnif […] By 1781, the year he took up permanent residence in Rome, Canova was thoroughly committed artistically to the neoclassic style, which was sweeping all the arts. Son esprit demeure cependant centré sur la sculpture, et l'atelier de son grand-père offre un parfait canevas pour assouvir cette passion. Abonnez-vous à notre liste de diffusion et recevez les informations intéressantes et les mises à jour dans votre boîte de réception.
." Lire la suite, Fille d'un notaire royal puis receveur des finances à Paris, née à Lyon en 1777, Juliette Bernard prit le nom sous lequel elle est devenue célèbre en épousant, pendant la Terreur, un homme bien plus âgé qu'elle, le banquier Jacques-Rose Récamier, avec qui elle entretint une affection platonique. The question of cynicism in working for the Bonapartes is still a matter of scholarly debate. « CANOVA ANTONIO - (1757-1822) », Encyclopædia Universalis [en ligne], Spotted an error, information that is missing (a sitter’s life dates, occupation or family relationships, or a date of portrait for example) or do you know anything that we don't know? Encyclopedia.com. CANOVA, ANTONIO.
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