lawrence of arabia overrated


Guinness was wooden because that's the character he was playing - an Arabian monarch. Cookies help us deliver our Services.

But as the list notes, he obtained the bulk of his wealth when his family mistakenly inherited a mine full of gold, and there’s just not much of a fascinating tycoon tale to be had in that kind of background. It was visually stunning, but it lacked engaging characters. There were some exciting moments in the story, but they were overshadowed by lots and LOTS of slow-paced scenes. They build on both later, but just want you to know immediately that this is a sharp guy that's also very full of himself. To me, interesting characters are the most important aspect to me liking a movie. As a ho-hum love story or old school rom-com, “Breakfast At Tiffany’s” is just fine. James McAvoy and Claire Foy to star in ‘My Son’, Resident Evil Movie Reboot begins casting, Everything you missed on HBO MAX in September, Godard’s Band Of Outsiders Is Full Of Iconic Scenes, Celebrity Gamblers: Chasing Fame While Betting On A Fortune. Lawrence, but that's about it.

In general I found the pacing to be rather slow and I just didn't understand a lot of it and I'm not sure if I'm being dense or if it was just a different time and the cultural impact is lost on me being a 30 year old. I don't understand why Lawrence decided to go into that Turkish town alone in the second half, I don't understand why he continued on after that point.

1971 Reviewae, which reviews films from an Arab perspective, cited some interesting conversations essentially about “white savior” narratives in Hollywood, and it’s hard to deny that “Lawrence Of Arabia” belongs on that list.

Music from the film Lawrence of Arabia by Maurice Jarre One of the greatest film scores of all time From the beginning, there's talk about westerners going to the desert and 'playing Arab' and then returning to the west, forgetting about them. was shocking.Plot aside, I love the movie for Peter O'Tooles' amazing acting and the indescribable cinematography.

1. These two points let you know that he's bright, well-read, talented, and prideful. Some might be classics because of pioneering a cinematic method or storytelling trend, for instance, and might be vital to the history of film without actually being very enjoyable as movies. Also, the plot, which is perhaps more unique in its time, feels like your average theater play adapted to the big screen. The four-hour Civil War epic is considered by most anyone taken seriously in the world of movies to be a masterpiece of cinematic storytelling.

And, you would think in this day and age it would be heralded as a fabulous example of a strong gay protagonist, or at least would get the same level of notoriety that Spartacus gets as a gay film... but I've never heard anyone say a thing about it. I'll try to go in order of your questions and to provide context, if that helps.

It's all a matter of taste and opinion. He went into the town alone because he had himself started to believe his invincibility and divine nature. I thought that might be it but it was still so absurd and random that I couldn't actually believe that was the case. I'm not going to call it a bad movie by any means, but I don't think it was deserving of all those Oscars (maybe just best cinematography).

Depicting the story of a British Lieutenant (Peter O’Toole in his career-defining role) helping to unite Arab forces against the Turks, it’s considered by many to be a sort of foundation piece for the epic adventure genre. You're not totally wrong.

I think I agree with you, though -- while it's fabulous to look at, the story hasn't got me sufficiently engaged that I'm actually keen to see the second half.

Lawrence, was a British archaeologist, officer, and author who is widely regarded for his role in the Arab Revolt during the First World War against the Ottoman Empire. Posted by 3 years ago.

Newport Film Festival Offers Unique Film Documentaries. He's 100% sure of that fact, and so has no fear just walking right in. The fact is that they manage to cram WAY more into modern movies than they used to with clever editing. I've always wished I could show a modern action movie to someone from the 50's just so I could see his reaction to it. I didn't think any of the dialogue stood out. If you have a serious love of film, you should probably be able to find something to like about most of them, because they’re generally considered classics for a reason. Lawrence of Arabia, otherwise known as T.E. And yes kind of hard to guess. Even if the story is lacking, as long as there are good 3-dimensional characters I can laugh and cry with, I'm good. I've read that in his lengthy career, Guinness was proudest of Tunes of Glory. It’s also mightily dull, shockingly dismissive of African-American concerns connected to the Civil War, and driven by a nightmare of a heroine. When he gets beaten, it's a devastating blow to his megalomania. It was a masterpiece of cinematography and an accurate portrayal of the life of T.E. I didn't think any of the dialogue stood out.

There were too many slow paced scenes that ruined it for me, otherwise the movie is a classic. There is nothing like modern shooting and editing going on. (Possible spoilers inside.) He tended to parts where reserve was part of the character. IMHO, almost all old movies are going to feel slow to modern movie watchers. I mean, it's not even like it's subtext, most of that shit is just text. He's very wooden in my opinion and I don't understand why he's so famous. “Lawrence Of Arabia” (1962) It may not be the 1940s black-and-white picture you expected to see at the beginning of this list, but it’s an overrated classic nonetheless.

Not to mention the main reason “Citizen Kane” is considered a classic is that people seem to think it invented symbolism with the iconic “Rosebud” sled.

Interestingly enough Lottoland, which serves as an online outlet for lottery players, posted a list of the wealthiest fictional characters, as a means of feeding into the imaginations of its Powerball hopefuls—and Charles Foster Kane came in at number five.

Yelling no prisoners was shocking?

Just watch the famous match to desert scene.

It may not be the 1940s black-and-white picture you expected to see at the beginning of this list, but it’s an overrated classic nonetheless. I live in Seattle and a local theater is having a 70mm film fest so I thought more is the time to see some classics so I got tickets to Lawrence of Arabia. Try reading a history of Lawrence.

Perhaps my expectations were too high but it just didn't resonate with me.

I wrote an essay analyzing the film for college and was actually trying to find it to share here, but no dice. I'll definitely watch it at some point, I just don't feel like I'm in any hurry to do so.

The movie seemed to imply he had read a lot about the area but that wouldn't mean he was going to be effective as a leader or able to rally the tribes. So that’s one writer’s list! I know everyone's gonna crucify me for this, but I don't really care for Alec Guinness either. Keeping that in mind, it’s also probably fair to say that plenty of films that have obtained the “classic” label over time can rightly be described as overrated. Naturally every film fan can agree or disagree with the assertion that these movies are overrated, but it’s important to recognize that it’s perfectly ok to question “classic” status in general!

Its social issues (it’s, um, pretty racist) also make it more outdated than most old movies, as was pointed out in amusing fashion by a list from Thought For Your Penny, which suggested alternatives for 25 overrated “classics.” The suggestion, in this case, was “Django Unchained.”.
EDIT: however tired as i was, i have no idea why i put seens instead of scenes.. Well, I won't try to change your mind about "Lawrence" (a work of towering genius in my opinion--David Lean is truly a river to his people), but as for Guinness . I was lucky enough to see a 70mm print of this the other month, and it was a pretty impressive movie, and.. Lawrence is really gay. 90% of its stills could be framed, it's one of the most beautifully shot movies I've ever seen.

The gist of it was: I love the contrast of an intimate character study set against the vast expanse of a desert in 70mm.

This film is considered to be iconic because of Karloff’s performance, and is widely regarded as the definitive Frankenstein movie.

In reality, they used each other.

Close. It’s good, but by no means a legitimate classic. Yet, it twisted a gothic novel with fascinating psychological and scientific elements into a monster horror flick.

. This ties into the overarching themes of the movie. And he's so confident in his arab understanding, that he thinks he can assimilate perfectly.

It was beautiful to watch but I can't really say I enjoyed watching it and I'm not sure I got the point of it. But that doesn’t mean your list of favorite films has to include “x” number of Clark Gable projects to be taken seriously. I went into it expecting a masterpiece and I just didn't see it. Recommendation. That’s not to say they’re all bad. So, Lawrence of Arabia is the movie that made me love movies. Left out of that consideration is the fact that it’s dreadfully boring and, arguably, offensive. I thought it was extremely overrated. New comments cannot be posted and votes cannot be cast, News & Discussion about Major Motion Pictures, Press J to jump to the feed.
His concern for them slowly morphs into his belief that he's their savior. For as long as the movie is I still feel like I never really got a good sense of the man, his mind remained a mystery to me unlike other character heavy movies where I felt like I left understanding how the character ticked. Again, this is just shorthand.

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