Sie inszenieren sich selbst als „Andere“; Personen, die mit den Fotografinnen kaum etwas gemein haben.
Change ). Beese was the first woman to study in the building department of the Dessau Bauhaus.
Orbis, 1967 plate 2, anton-josef-trcka-nu-de-dos-avec-des-tissus-concus-par-trcka-1925, François Frédéric dit Fred Boissonnas – Magdeleine G. dansant Chevauchée de la Walkyrie, hypnotisée par Emile Magnin, 1902-1904 Négatif au gelatino-bromure d’argent sur verre, Francesco Vezzoli Olga Forever (Olga Picasso, Villa Belle Rose, Juan les Pins, 1925)2 Courtesy of the artist and Artsy, Alexander Bassano – Christine Silver as Titania in ‘A Midsummer Night’s Dream, 1913, Roberto Baccarini & Angelo. Cependant, Arndt n’a pas atteint ses métamorphoses diverses figures féminines cliché comme principalement par defamiliarizations au masque-comme le maquillage ou costumes. Learn how your comment data is processed.
In parallel, Arndt took some 40 shots in which she herself was the central figure. Et puis j’ai attaché un fil noir de la ficelle à la vieille caméra – il n’a pas de retardateur – qui j’ai couru à travers une pierre ronde en dessous, de sorte que la caméra ne pouvait pas tomber. Arndt was told that there was no architecture course for her to join and was dispatched to the weaving workshop. And then I attached a black thread of twine to the old camera – it didn’t have a self-timer – which I ran through a round stone underneath, so that the camera couldn’t fall over. Gertrud Arndt n’a pas s’inscrire comme étudiant à nouveau, cependant, de voir sa tâche comme étant de fournir son mari avec l’appui. Grundworth – Accrobatic Nude pose , 1935 Gelatin silver medium postcard.
Avant de s’inscrire au Bauhaus de la session d’hiver de 1923 à 1924, elle a pris un apprentissage à un bureau d’architecture à Erfurt. [3] Gertud Arndt died in July 2000 at the age of ninety-six. Following the closure of the Bauhaus in Dessau, the Arndt family returned to Probstzella in 1933. Foto : Modernity In Central Europe, 1918-1945. By using this website, you agree to the use of cookies. Thank you! L’appareil photo était en face d’une grande fenêtre, nous avions des fenêtres gigantesques à Dessau. L’année suivante, les Arndts quitté le Bauhaus et retournés à Probstzella nouveau, où ils sont restés jusqu’en 1948. Creating various atmospheres in these works, ranging from severe to absurd to playful, these photographs were to become her Masked Portraits and are considered by art critics to be the predecessors to the works of Cindy Sherman. Après avoir terminé le cours préliminaire , elle a déménagé à l’ atelier de tissage , où elle a participé à divers projets d’une manière productive et créative pendant les trois années suivantes (jusqu’à la session d’hiver de 1927) – comme une tapisserie commandée par Thost. On seeing the first Bauhaus Exhibition in Weimar in 1923, and with a student grant in her pocket, she decided to go to the Bauhaus to study architecture. Forgotten by critics until the 1980s, her portraits have been compared to the work of her contemporaries Marta Astfalck-Vietz and Claude Cahun. Je me suis assis et j’ai regardé très attentivement dans l’appareil photo. In the next five years producing a series of 43 self-portraits as well as images of her friend Otti Berger.
Fotografien aus der Bauhauszeit (1926–1932), Darmstadt. 20 avr. 1923–1928 Bauhaus student /1929–1932 guest student. Before enrolling at the Bauhaus in the winter semester of 1923–1924, she took an apprenticeship at an architectural office in Erfurt. Trépieds étaient toujours aussi bancal alors, ils n’ont pas encore une pointe de métal. Ils se mettent en scène comme «autres»: les personnes qui ont à peu près rien à voir avec le photographe. Gertrud Arndt (née Hantschk; 20 September 1903 – 10 July 2000) was a photographer associated with the Bauhaus movement.
Detailed information about the use of cookies on this website and the contradictory possibilities can be found in our Data protection. Et si vous vous habillez en costume ainsi … C’est comme regarder dans le miroir et essentiellement une image miroir des grimaces … ». However, Arndt did not achieve her metamorphoses into various cliché-like female figures primarily through defamiliarizations using mask-like make-up or costumes.
While still studying at the Bauhaus in Dessau, she started to take a series of self‐portraits with widely varying portrait types, clothing, hairstyles and facial expressions. Bormann-Arndt, Alexa: Interview with Anja Guttenberger (-Schädlich), Berlin/Darmstadt 30. In contrast to earlier photographs and most of the photos produced at the Bauhaus around the same period, Arndt’s self-portraits are not experiments with extreme perspectives or detailed views. Es können verschiedene Einstellungen für bauhaus100.de vorgenommen werden. Ganz einfach, so sind sie alle entstanden, die Maskenfotos.“, In diesen Fotos ging es der Amateurfotografin um das Experiment mit der Verkleidung.
[3] Her most famous carpet - which has not survived - lay in the office of Walter Gropius from 1924 onwards. En 1930, elle a produit une série de 43 autoportraits, qu’elle a appelé «masque de portraits.
Gertrud Arndt – Masked Self-Portrait #13 (self-portrait), dessau, 1930 Gertrud Arndt (nom de jeune fille Hantschk) est né le 20 Septembre 1903, à Ratibor en Haute-Silésie. Press release, 7 February 2013 (downloadable PDF): "Gertrud Arndt (1903–2000): Life and Work", Bauhaus Archive in Berlin Exhibits Works by Gertrud Arndt, Angela Connor, "Before Cindy Sherman came Gertrud Arndt", A number of her strange self-portraits selected by James Conway, Biography and one or two photographs from Bauhaus, Entry on Gertrud Arndt in the Museum of Modern Art's Object:Photo resource, with a self-portrait and chronology of the artist's life, https://en.wikipedia.org/w/index.php?title=Gertrud_Arndt&oldid=977229496, Articles with dead external links from December 2019, Articles with permanently dead external links, Articles with German-language sources (de), Wikipedia articles with RKDartists identifiers, Wikipedia articles with SNAC-ID identifiers, Wikipedia articles with SUDOC identifiers, Wikipedia articles with WorldCat identifiers, Creative Commons Attribution-ShareAlike License. À la suggestion de son employeur, elle a commencé à utiliser sa caméra pour documenter les bâtiments à Erfurt, même durant l’apprentissage.
Gertrud Arndt (maiden name Hantschk) was born on 20 September 1903 in Ratibor in Upper Silesia. Etwa 1935.
” (Betsy Sussler, ‘Cindy Sherman’, interview with this artist, Bomb Magazine 12, Spring 1985). I sat down very carefully and looked into the camera. Aus „Langeweile“ begann sie sich 1930 selbst zu fotografieren. Fotografien aus der Bauhauszeit (1926–1932), Darmstadt. Gertrud Arndt Negative Portrait Wera Meyer-Waldeck , 1930 Vintage gelatin silver print, negative print on Kodak-Bromid paper, Otti Berger photographed by Gertrud Arndt. She is remembered for her pioneering series of self-portraits from around 1930. . Voir plus d'idées sur le thème Bauhaus, Autoportrait, Weimar. When asked what she was thinking when she was posing for her staged self-portraits, contemporary artist Cindy Sherman said: “I think of becoming a different person. You are reading: Gertrud Arndt was rediscovered as a photographer during the 1980s, and has been compared with contemporary female photographers such as Marta Astfalck-Vietz and Claude Cahun. Not that she was alone. [3] In 1948 they settled in Soviet-occupied Darmstadt, and by 1950 were again in contact with other former Bauhaus members. Dans quelle mesure une expression révèle la nature profonde d’une personne? The Bauhaus, which ran from 1919 to 1933, was not always unfair to women.
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