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But it may not, so it's important that you try before you buy. I also have the PRE73. If you are looking for a truly top-notch condenser microphone that you can rely on for crystal-clear quality vocal recording, you make no mistake by considering to get either Rode NTK or Neumann TLM 102. Is there an element of brand snobbery here? The mic has a smoother, more even sound from top to bottom, a better, more predictable pickup pattern and far better off-axis response. What I've found is that vocal mics roughly divide into three categories. MXL V177 vs. NEUMANN U87 vs. MXL V67i vs. SHURE SM7B vs. Would you ditch a Neumann TLM103 for a Rode K2? I rented a U87, and it sounded stellar with my Grace 101. Re: Would you ditch a Neumann TLM103 for a Rode K2? I've done quite a few multi-microphone shoot-outs for workshop sessions that I've run, and I think that my experiences might shed some light on your question. Unlike Rode K2, Neumann U87 comes with a balanced, accurate sound. Tube Microphone With infinitely variable pattern, Frequency range 20 Hz to 20 kHz, Impedance 200 Ohm, Sensitivity: -36 dB re 1 V / Pa (16mV @ 94 dB SPL) +/- 2 dB, Incl. We compare the Warm Audio WA87 vs Neumann U87 to see how they perform and which one is the best for broadcasters and podcasters. Sure, some mics may have beaten it on one or more sources, but very few mics work as well as they do on as many sources. *** Microphones Listed Below ***We compare the Warm Audio WA87 against the Neumann U87 to see which one comes out on top. It offers excellent clarity since the noise level is low. The weight is about 815 grams. Warm Audio WA87 vs Neumann U87.
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If you buy a mic in this category, you need to be prepared for it to sound terrible on some occasions and simply respectable for a fair amount of the time. The Neumann U87 is widely used in the radio industry. The third category of mic doesn't so obviously tailor the sound, instead capturing it fairly neutrally.
We have both and I much prefer the K2....usually.....HOWEVER, I recently tried the 103's with the Manor Mobile Helios and it sounded quite good.
I've done quite a few multi-microphone shoot-outs for workshop sessions that I've run, and I think that … Personally, I'd rather have the K2. Then there is the second category. But it may not, so it's important that you try before you buy. If the sound source you're recording already sounds fantastic, then the category three mic will tend to perform better when compared with the category two mic — it is likely to get closest to that glorious sound within the room. JJ, is that the 87ish clone? So if you're recording in a situation where spill may get into the vocal mic off-axis, then the differences between categories two and three begin to become much more apparent. All contents copyright © SOS Publications Group and/or its licensors, 1985-2020. You may login with either your assigned username or your e-mail address. If I had to go out on a limb and suggest a mic to anyone without knowing anything about them or their studio, the 103 and the Bock u195 would be at the top of the list.
You may find that the Rode NT1A (left) sounds as good as a Neumann U87 on your voice.
But it may not, so it's important that you try before you buy.I've done quite a few multi-microphone shoot-outs for workshop sessions that I've run, and I think that my experiences might shed some light on your question. It's quiet 'warm'. However, if you're just recording one singer and it happens to sound fantastic on them, then you've obviously got yourself a bargain. I have a TLM 103 that I think sounds pretty good. *** Microphones Listed Below *** We compare the Warm Audio WA87 against the Neumann U87 to see which one comes out on top. There is something about the Helios pre that the 103. Please download one of our supported browsers. Again, IMO, the 193 is a FAR superior mic on a similar platform (meaning "flat" general purpose mic). They sounded fantastic, didn't get to catch the model number. You may find that the Rode NT1A (left) sounds as good as a Neumann U87 on your voice. Those that can't get carried away, should be. Scott, they aren't an 87 clone at all, really.
You may find that the Rode NT1A (left) sounds as good as a Neumann U87 on your voice. Rode K2 measures 208 mm long, with a diameter of 55 mm. The K2 looks like you could literally drive a truck over this mic without seeing a mark. These are mostly in the sub-£150 range, and in my opinion you need to step very carefully if that's your budget, to avoid getting your fingers burnt. RODE K2, Trance For Imperfect | 50 ImPerfect Presets, Make Me Scream - Two Stage Distortion / Saturation Plugin (VST / AU / AAX), 95% OFF - Bass House 10 For $10 (2000+ Sounds, Kits & MIDI), 95% OFF - Progressive House Mega Pack (2000+ Sounds, Kits & MIDI), ABBA - GIMME GIMME GIMME! However, if you put most of these mics out in the middle of an ensemble, their off-axis colorations can quickly let them down by compromising the effect of the other instruments with dodgy-sounding spill. I used an older pair of Langevin mics recently in the studio that one of the engineers had left for use. To my mind, one of the most important things you're paying for with a high-end mic such as the U87 is that they will reliably give you very good recordings every time. Or are mics such as those made by Neumann and Microtech Gefell designed so that they flatter everyone's voices? http://www.gearslutz.com/board/bruce-swedien/84644-single-in, http://www.telefunkenusa.com/products/show_product.php?item=, http://cgi.ebay.com/LANGEVIN-CR3A-CR-3A-CONDENSER-MICROPHONE, http://www.myspace.com/ohmrecordingfacilty. Neumann TLM 102 vs Rode K2 (acoustic guitar) (pt.1) - YouTube Your current browser isn't compatible with SoundCloud.
You need to enable JavaScript to use SoundCloud. In fact, I went back to the Focusrite 428 with it and wasn't much impressed. All rights reserved.
Very odd, but it seems to make a huge difference (much more so than any other mic we have here). What I've found is that vocal mics roughly divide into three categories. However, what I've also found over time is that category three mics never deliver an unacceptable result. I recently posted here asking for Neumann U87 alternatives. Let us know in the comments.Catch The Sherlocks featured in the video here: http://www.thesherlocksmusic.co.uk/Warm Audio WA87Amazon USA: https://www.amazon.com/dp/product/B01M6DIGGA?tag=radiodotco-20Amazon UK: https://www.amazon.co.uk/dp/product/B01M6DIGGA?tag=radiodotco-21Neumann U87Amazon USA: https://www.amazon.com/dp/product/B0016ZSIP2?tag=radiodotco-20Amazon UK: https://www.amazon.co.uk/dp/product/B00502CCXG?tag=radiodotco-21 In multi-mic shoot-outs, for example, I've found that at least one less expensive mic will usually out-perform the 'category three' mics (according to audience consensus). 8\" from where the neck joins the body.Focusrite Scarlett 18i8 audio interface.Protools 12.No compression, EQ or any other alteration has been made to the audio recordings.High quailty headphones or studio monitors recommended.Thanks for watching. « Reply #10 on: June 18, 2007, 01:12:37 pm » The catch is that there are all these great independent mic makers in the USA but very few in the UK, so it is very difficult to find a place that stocks such mics in the UK. Or you can save a lot of money and get an inexpensive mic that sounds amazing on everything: The catch is that there are all these great independent mic makers in the USA but very few in the UK, so it is very difficult to find a place that stocks such mics in the UK. This is because the category two mic will happen to change the character of the sound source in flattering ways — perhaps compensating for that sound's inherent deficiencies. You may find that the Rode NT1A (left) sounds as good as a Neumann U87 on your voice. Great care has been taken to ensure accuracy in the preparation of this article but neither Sound On Sound Limited nor the publishers can be held responsible for its contents. What is characteristic of this category of mic is that its sound is usually tailored in some way, either deliberately for a specific recording application, or because of design shortcomings.
RODE K2, More tracks like MXL V177 vs. NEUMANN U87 vs. MXL V67i vs. SHURE SM7B vs.
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Recommended tracks pony by Tera Kòrá published on 2019-12-02T19:22:19Z Phonica Mix Series 47: Axel Boman by Phonica Records published on 2018-04-03T10:16:54Z MKE To CHI by Ian Ewing published on 2015-01-04T19:33:27Z funny - I read that Bruce Swedien is a fan of the Rode NT$ (, for a couple of hundred more you could try the Pearlman TM-1. However, they seem to make such comments more readily about the budget range of microphones, and I don't see big names like Neumann getting tarred with that brush. Both have good and bad reviews, the K2 is a tube mic which I haven't got in my pallet yet, but the TLM102 is a Neumann, and I haven't got it either. MXL V177 vs. NEUMANN U87 vs. MXL V67i vs. SHURE SM7B vs. The views expressed are those of the contributors and not necessarily those of the publishers. I've used 193s on just about every source known to man and never found one where it didn't work. Thanks for that - I will be trying both side by side pretty soon. Any comments about the K2? "on just about every source known to man". This site uses cookies to help personalise content, tailor your experience and to keep you logged in if you register. The build quality is very good; it features a welded, heat-treated steel mesh head which is highly durable. Leave a Comment / Mic Comparisons / By microphoneauthority. It's pretty much considered one of the best microphones available. It is suitable for different vocals and instruments.
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