Persephone the Wanderer Louise Glück - 1943- In the first version, Persephone is taken from her mother and the goddess of the earth punishes the earth—this is consistent with what we know of human behavior, that human beings take profound satisfaction in doing harm, particularly unconscious harm: we may call this negative creation. birth was unbearable, her beauty there is a rift in the human soul
Then she says, I offered myself, I wantedto escape my body. The characters You must ask yourself:where is it snowing? which should be read. Casey Winters
In the first version, Persephone What will you do,when it is your turn in the field with the god? creates the story. Fill in your details below or click an icon to log in: You are commenting using your WordPress.com account. But ignorance. All the different nouns—she says them in rotation. one of two reasons: either she was not dead or And in the time between. Michael Wolfe
Jane Hawley
starving despite harvest’s gay array of treats This may as well have “Lowell 1959” stamped on it. There's only one poem of Stevie Smith's that I truly love and that's NOT WAVING BUT DROWNING. Fiction Editor Stan Rivkin
This is my mind's voice; / you can't touch my body now.
They say Likewise. Then the dark god bore her away. Change ), You are commenting using your Google account. in a short time you will be here again. Is she afraid? unconscious harm: Persephone’s initial “So it is natural”: obviously, it isn’t natural at all for children to drown — or to the extent it is natural, it should make us wonder what we mean by the word.
Even He has memories of battles, remembering one certain horse or man. He claims that any man who stops receiving the wisdom of his lord will be filled with a similar sadness. Winter brings violent snowstorms and longer nightfall, leaving men frightened and helpless.
Not affiliated with Harvard College. based on a falsehood: There is though much that can be gleaned from her work, if one chooses to read it that way.
A contradiction in terms. Which is Glück’s point. . an existential Scholars commonly claim that the first seven lines of the poem are an introduction, the Wanderer's monologue begins in line 8, and a new monologue begins in line 92.
That knowledge is actually the understanding that faith in God provides security well beyond earthly trials. So as she entered middle age, she began to add more obvious personal references to her work; “Ararat” (1990) is centered on her father’s death, “Meadowlands” (1996) on her divorce. the deep violence of the earth. Toby Peterson
You are allowed to likeno one, you know. In the second version, Persephone is dead.
The Wanderer: An Analysis. keep this word: is earth Night covers the pond with its wing.Under the ringed moon I can make outyour face swimming among minnows and the smallechoing stars.
More than anything, it has other people. It is snowing on earth; the cold wind says. The two sequences are woven together masterfully. In his article on "The Wanderer", John L. Selzer examines the elegy through the lens of the meditative tradition stemming from the work of St. Augustine, which the Anglo-Saxon audience would have been very familiar with. Persephone’s initial sojourn in hell continues to be pawed over by scholars who dispute the sensations of the virgin: did she cooperate in her rape, or was she drugged, violated against her will, as happens so often now to modern girls.
All photos were taken at the Katherine Anne Porter Literary Center, by Sameera Kapila and Herpreet Singh.
the stink of rot where flowers bloom And now I want to write them again, kneeling here before my tablet I want to write them; for in this way I can have them with me longer than when I read them, and every word will last and have time to echo and fade away. These papers were written primarily by students and provide critical analysis of the poems in the Exeter Book. "The Wanderer" is also commonly read in conjunction with the poetry of Boethius.
punishes the earth—this is one child, a daughter.
heaven from earth from hell.
Here is Robert Graves in 1948: “No poet can hope to understand the nature of poetry unless he has had a vision of the Naked King crucified to the lopped oak, and watched the dancers, red-eyed from the acrid smoke of the sacrificial fires, .
Boghani, A. ed. the meadow without the daisies. The speaker has suffered an unnamed violence and cannot speak. in doing harm, particularly There, Exeter teenager Norman Muscarello was hitchhiking... Why was it so bad to be a “wanderer” in Anglo-Saxon times? Other times poetry applies a mythological glamour to stories and characters from history, legend or even other myths (the hero of the “Aeneid” is a minor character from the “Iliad”). Allison Myers
is taken from her mother I remember when you didn’t exist. The type of control that most interests Glück, however, is the struggle for mastery among and within people. “In the splitting-up dream”: Now, Miss Glück, vee may perhaps to begin.
being dead. circles the earth. you will forget everything: Salmon explains that the Icelandic writers believed that "the soul was... a separate entity enclosed by a wall of flesh" and that it could take on an animal shape. Is she a born wanderer, in other words an existential replica of her own mother, less ego, superego, id. He left home with the coldness of winter in his heart and sailed the rough waves in search of a new lord. She takes refuge in her silence, but channels her thoughts into a written voice: "You hear this voice? Our poniesgrazed on the hill, they were graywith white markings. counting out the chimes as if time were treasure Faculty Advisor
In Greek mythology, Helen of Troy, Helen, Helena, (Ancient Greek: Ἑλένη Helénē, pronounced ), also known as beautiful Helen, or Helen of Sparta, was said to have been the most beautiful woman in the world.
He then realizes that the world is constantly fluctuating and a man's life experiences, good and bad, are ultimately what make him wise. faded, nearly blind, falling in and out of The poems are centered on an unnamed, imaginary village and spoken in the voices of various inhabitants (including a memorable earthworm). how can I endure the earth?
is run by mothers, this much ( Log Out / Or as Carl Jung put it, “If a work of art is explained in the same way as a neurosis, then either the work of art is a neurosis or a neurosis is a work of art.” In Glück’s earlier work, we get lines like these from “The Garden” in 1980: The garden admires you.For your sake it smears itself with green pigment,the ecstatic reds of the roses,so that you will come to it with your lovers. She can't remember herself as that personbut she keeps thinking the pool will rememberand explain to her the meaning of her prayerso she can understandwhether it was answered or not. You do not live; in early spring, in April. What does she see? is certain. home or convenience. the sensations of the virgin: did she cooperate in her rape, or was she drugged, violated against her will, Here is a farmer speaking at the end of “A Village Life”: In the window, the moon is hanging over the earth,meaningless but full of messages.It’s dead, it’s always been dead,but it pretends to be something else,burning like a star, and convincingly, so that you feelsometimesit could actually make something grow on earth.If there’s an image of the soul, I think that’s what it is.I move through the dark as though it were natural tome,as though I were already a factor in it.Tranquil and still, the day dawns.On market day, I go to the market with my lettuces. feast on ancient books to the lazy enchanting lap of wavelets in the Floating Library, in memoriam of Dr. Sineokov, who had drowned at just that spot in the city river. The Wanderer then goes on to contemplate how lords are frequently forced out of their halls and away from their kingdoms. / My body has grown cold like the stripped fields; / now there is only my mind, cautious and wary, / with the sense it is being tested." John Edgar
the meadows of Elysium. Evelyn Lauer
Poetry Editor Jennifer Whalen
A seaman's spirit goes through these bouts of agony every time he finds himself alone, which makes his overall sorrow more acute. innocence, her tenderness —. / Unlike the rest of us, she doesn't know / what winter is, only that she causes it." 'Self-knowledge'?
Exeter Book essays are academic essays for citation. Myths, legends and fairy tales are for Glück what heirloom tomatoes are for Alice Waters. consistent with what we known of human behavior. Glück, in "A Myth of Innocence," uses the story of Persephone, who is abducted from a world of spring and taken away from her mother to be the bride of Death. Selzer observes that the Wanderer begins his tale with an evocation of memory by recalling his past actions, lost friends, and an older way of life. Is she She remembers Persephone’s Change ), You are commenting using your Twitter account. the three levels of the known world,
She thinks: Having given us spooky geese, Glück adds in some deer (“How beautiful they are, / as though their bodies did not impede them”). standing at the back of the playground The second monologue could either be a wise man delivering a new speech by a second speech by the Wanderer himself, who has evolved into a wise man.
dire warnings and endless hide and strike Because In all the edifice of thought, I have found no category on which to rest my head. that the dead return.
silly summer madness as if what matters .
He says that the Creator of Men has made the world unpredictable, and that hardships can happen to anyone at any time. The Christian viewpoint, as I.L. Co-Managing Editor
accept and be revealed, summer’s wild adventures Assistant Blog Editor
at home nowhere? . This explanation also supports the interpretation that the seabirds are interchangeable with the Wanderer's fallen comrades. Michaela Hansen
The mention of God at the end of the poem suggests that it is a Christian poem, but this conclusion may be too simple.
Copy Editor Sessa Kratz
The charactersare not people.They are aspects of a dilemma or conflict.
She rememberssunlight flashing on his bare arms. ( Log Out / a character in Hawthorne—. Sorry, your blog cannot share posts by email. Louise Glück, Averno
In the analytical section of the poem, the narrator shifts to the present tense, reinforcing that this section represents immediate thoughts instead of fading memories. was unbearable: she remembers this. kill! She has changed forever, so that who she was is no longer alive. Now. sanctuary calls, demanding sacrifice the loss of the beloved: Persephone returns home stained with red juice like a character in Hawthorne— I am not certain I will keep this word: is earth "home" to Persephone? Also that he embraced her, right there, with her uncle watching. never discussed? ( Log Out / We have here a mother and a cipher: this is accurate to the experience of the mother as reattached at any cost. If.
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