A committed and sought-after portraitist at a time when photography had largely replaced painted portraits, Dix depicted fellow artists and other members of Germany’s cultural bohemia, as well as various professionals and patrons of the arts. Motion picture film stills or motion picture footage from films in MoMA’s Film Collection cannot be licensed by MoMA/Scala. Anguish radiates from Dix’s desolate landscapes of military trenches filled with barely distinguishable, decaying human remains, the legacy of the first industrialized war, while images of poor, disfigured, and lonely veterans invisible to passersby on the streets were comments on war’s unequal impact on different societal groups. To find out more, including which third-party cookies we place and how to manage cookies, see our privacy policy. In his figurative work after World War I, Dix veered toward social satire, developing a grotesque, exaggerated aesthetic associated with the Neue Sachlichkeit (New Objectivity) movement, whose artists sought to unsentimentally portray the social and political realities of the Weimar Republic. Dix, cited in Eva Karcher, Otto Dix, New York: Crown Publishers, 1987, p. 16. In his Expressionist prints and paintings, Otto Dix immortalized the unprecedented horrors of World War I and its crippling aftereffects on life in Berlin. Artist, Landscapist, Portraitist, Painter, Sculptor, Information from Getty’s Union List of Artist Names ® (ULAN), made available under the, Read more about Otto Dix at our German Expressionism, _Self-Portrait (with Cigarette) [Selbstbildnis (mit Zigarette)] _ from the portfolio, Creative Commons Attribution-ShareAlike License. Sold price: 6,013,413 USD, Frau mit Schirm' (Frau Richartz IV), 1959, Toter (St. Clément) [Dead Man (St. Clément)], 1961, Grosses Selbstbildnis / Large Self-Portrait, 1965, Maud Arizona (Suleika, The Tattooed wonder), 1922, Red-Haired Nude with Red Stockings..., 1925. artnet and our partners use cookies to provide features on our sites and applications to improve your online experience, including for analysis of site usage, traffic measurement, and for advertising and content management. All requests to license audio or video footage produced by MoMA should be addressed to Scala Archives at [email protected].
Along with George Grosz, Dix is widely considered one of the most important artists of the Neue Sachlichkeit (“New Objectivity”), a term used to characterize the turn of public attitudes in Weimar Germany toward the practical and functional and the art the emerged from it. Gilden's Art Gallery at IFPDA Fine Art Print Fair Online Fall 2020, Jörg Maass Kunsthandel at IFPDA Fine Art Print Fair Online Fall 2020, From Munch to Uecker - Masterpieces from Classic Modernism to Contemporary Art, Why “Degenerate” Artist Otto Dix Was Accused of Plotting to Kill Hitler, New Objectivity Artists Exposed the Decadence and Hypocrisy of German Society, The German Expressionists’ Shockingly Raw Work Exploded Bourgeois Values and Reinvented Art. He commented: With its frontality, large scale, sparse setting, and array of frightening, circular instruments—the shapes of which echo the doctor's own round body and face—the artist creates a seemingly satirical effect.
If you would like to reproduce an image of a work of art in MoMA’s collection, or an image of a MoMA publication or archival material (including installation views, checklists, and press releases), please contact Art Resource (publication in North America) or Scala Archives (publication in all other geographic locations). Andrea Mantegna's Dead Christ (1480) is evoked in the lower panel showing the dead soldiers. If you would like to reproduce text from a MoMA publication or moma.org, please email [email protected]. Dix studied the Old Masters in both their subject matter and painting methods. At twenty-one, Dix extended a nod in the master's direction when he painted himself in a similar motif. Please.
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German artist Wilhelm Heinrich Otto Dix is best known for paintings and prints filled with anguished, exploited human figures representing the turmoil of his time.
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