My sample came without a spec sheet or manual, but I found partial specs on Neumann’s website. Nichtsdestoweniger ist es ein echtes Neumann-Mikrofon, bei dessen Entwicklung auf jedes Detail geachtet wurde. Wir haben dazu die Fertigung neu konzipiert und auf seltener genutzte Funktionen verzichtet (wie etwa die Umschaltung mehrerer Richtcharakteristiken, Dämpfung und Filteroptionen). OK - a couple of days use and you’ll learn which setting is which, but a bit more contrast wouldn’t hurt (the black body mic looks to solve this by the way). TLM 102 A true Neumann at an affordable price. Keys 12/2009, französisch
Switching is controlled by a small joystick-like navigation switch on the back of the mic; moving it changes the pad, filter and pattern settings, and an LED illuminates for a few seconds to show what’s selected. You also get -6 and -12dB pads and 40Hz and 100Hz low cut filters for reducing low-end rumble and mud.
In the following article, we will discuss the comparisons between Neumann TLM 102 vs 103, which are both among the more affordable models from the company. The online spec sheet for the TLM 102 states that it draws 3.5 mA from a standard +48 V phantom supply, and that it will take up to 144 dB SPL with less than 0.5% harmonic distortion. video by sound pure I tried the mics at 90°, again from 7'' away; the two sounded almost identical. Dabei bleibt das TLM 102 leicht in der Handhabung und geht souverän mit kritischen Konsonanten oder Zischlauten um: Der Schutz gegen Popplaute ist bereits eingebaut. Seit 50 Jahren! Our reference mic was an Electro-Voice PL20; we placed both just inside the rim (this is an open kick).
Das perfekte Instrumenten-Mikrofon, Datenschutzbestimmungen gelesen & akzeptiert, Verarbeitet selbst höchste Schallpegel verzerrungsfrei, Leichte Höhenanhebung für brillianten Sound, Einfaches Handling für Gesangs- und Instrumentenaufnahmen, Verzerrungsfreie Aufnahmen auch bei maximalem Schalldruck, Leichte Höhenanhebung für seidige Vocals (musikartunabhängig), Vielseitige Instrumentenaufnahmen, auch bei lauten Signalquellen wie Amps, Drums, Blasinstrumente, Singer/Songwriter: Hervorragende Trennschärfe bei Akustikgitarren/Gesang, Ideal positionierbar auch bei engster Umgebung. Most large-diaphragm condenser mics have significant rises or peaks at the high end. The mic comes with a secure screw-in stand mount with a solid-feeling clamp on the tilt control. With any mic, and certainly with one in this price bracket, you need to try it to make sure that YOU like the sound. This little brother shares the family magic while bringing its own strengths to the fore. KMS 104/ 104 Plus/ 105 Studio sound on stage. Seine feste Nierencharakteristik und der integrierte Pop-Schirm machen es kinderleicht in der Handhabung.
Very nice. elektrisches Eingangssignal, Datenschutzbestimmungen gelesen und akzeptiert, Feldübertragungsfaktor bei 1 kHz an 1 kOhm, Geräuschpegelabstand, CCIR (rel. Die neuentwickelte Großmembran-Kondensatorkapsel besitzt alle Qualitäten, die Neumann-Mikrofone weltweit zur ersten Wahl gemacht haben: klarer, fokussierter Klang mit ausgezeichneter Definition.
Detaillierte Produktinformationen inkl. Download PDF, TLM 102 Testbericht That’s not much, but it’s enough to reach down an octave or so and be audible. I opened the package; the TLM 102 comes in a minimal container, a cardboard box with soft molded-foam inserts. Neumann’s TLM 103 is an old school-styled large-diaphragm mic, with a large condenser capsule. Das TLM 102 ist in nickel und schwarz mit einem Stativgelenk erhältlich. Again, this is unusually good performance for a large-diaphragm microphone; from the side, at least, the TLM 102 was behaving more like a medium-diaphragm mic. (fat chance! Recommended, without reservation.
Gleichzeitig kann das TLM 102 extreme Schalldruckpegel von bis zu 144 dB verzerrungsfrei verarbeiten.
High-frequency shock sensitivity (tapping with my fingernail) measured about the same as the SM81 but sounded softer, since it was mostly still down in the bass regions — that 72 Hz resonance again.
vocal, Link, TLM 102 Testbericht Das TLM 102 ist das preisgünstigste Großmembran-Kondensatormikrofon von Neumann. Plötzlich fällt es ganz leicht, sich zum Beispiel klar im Mix gegen die Akustikgitarre durchzusetzen. Our bestseller. (Life’s tough sometimes.). 94 dB SPL), Geräuschpegelabstand, A-bewertet (rel. On the other hand, Neumann TLM 103 is more expensive. I did manage to pop a few p’s, so it’s not totally plosive-proof; some people, at some distances, will need pop screens. On the spectrum analyzer I saw a broad resonance centered on 72 Hz. (Match the resistors as closely as possible, using a DMM.)
And it was enough to push the preamp’s -3 dB point from 72 kHz to 100 kHz, with accompanying changes in the phase response. © CBS Interactive Inc. All Rights Reserved. Being a belt-and-suspenders type, I repeated the guitar test at home, using the project-r mic pres I normally use. Nichtsdestoweniger ist es ein echtes Neumann-Mikrofon, bei dessen Entwicklung auf jedes Detail geachtet wurde. 94 dB SPL): 73 dBGeräuschpegelabstand, A-bewertet1) (rel. voice. Review specs and features as well as sample audio comparison. Its self-noise of only 12 dB-A is much lower than the ambient noise in even a very quiet room. Aufnahmen bekommen eine für Großmembraner typische, seidige Eleganz; die Stimme positioniert sich im Gesamtmix mit edler Präsenz. Link, "Little Sweety" I spend most of my time working with tracks that other people record, and I really can’t justify buying a TLM107, but I’m certainly hoping they might just forget that they sent it to me! Here’s why. And the slightly-brighter sound with the project-r preamp certainly wasn’t unpleasant. A propos of spoken words, one of my students remarked that he’d love to try the TLM 102 on a rapper. Since I was at the university’s studio, I didn’t have my regular project-r preamp, but I made do with the SSL console that lives there. The TLM 102 gives you that clarity and definition without the crispy-crunchies, and without ever losing its suavity and control. The heart of a capacitor microphone is the capsule, which defines how sound will be converted to signal.
Copies or clones of mics tend to mimic either the design or characteristics of existing models; I mention this because the TLM range has several microphones that aim to deliver the “family sound” of older Neumann mics but with updated specs, but the 102 and 107 models are designs in their own rights.
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