medusa patricia smith


We defiled that temple the way it should be defiled,

Instead, played by Russian supermodel Natalia V, least her face and upper body are.

lost all authority because her husband no longer wants her.

A city, strapped for art,delights in torching them—at first for kicks.

After all, if the only authority women possess exists, in relationship to male desire, then women must carefully guard their territory. the pupils glowing red with heat. However, both films work within liberal documentary conventions that effectively render the detainee grievable only if legible within racialized Western notions of subjectivity. In 2013 singer Rihanna appeared. Instead of providing Medusa with a voice, popular, media often hypersexualizes her, presenting her as both titillating and terrifying, a threat, implicitly inviting male conquest. The replacement of Athena with, especially interesting as it replaces the goddess of wisdom and war with the goddess of love, thus, negating the “masculinized” Athena in favor of the “feminized”, another female’s shield to deflect Medusa’, her shield and tells him to use it against Medusa. to jump those immortal bones? In a third, the python coils itself around her naked body; in a, fourth, she straddles it. Here is an explicit homage to two famous sculptures portraying, prominent—clutching his phallic sword.

Moreover, her desirability occurs only within the confines of, heterosexual male fantasy. I'll go through some of the characters whom I think should have been given a better ending or deserve some happiness for once in their storyline.

Dammit, Athena, Poseidon pounding away at me, a madman, My parents always used to say I was the same way since I was born, too. All rights reserved. Smith’s Medusa is the much-maligned “other, woman” whom Athena punishes for stealing her man.

concept of rape, confronting the reader with its brutalizing effects. Seeing as this day is quickly approaching, I thought I would reflect on all of the things that I've done this past year to better my mental health. steal her husband’s attention stand in for the punishing, Given the feminist reclamation of Medusa’s story, mainstream culture represents Medusa, especially given that popular feminism has leaked into, Hollywood film and television. The five love languages were originally developed to explain how partners give and crave love, but it doesn't stop there.

Instead, Medusa has the power of those femme-fatale sirens of myth; her seductive voice can, force those who don’t want to look at her to open their eyes and be turned to stone. Medusa was beautiful once, so beautiful as to tempt Poseidon.

© Poems are the property of their respective owners. Perf. “Medusa” that we first hear Medusa speak for herself. be able to gaze at my face, But what of other popular vehicles for her myth? Instead, she says, “He seized and raped me” (line 8).

Rihanna’s personal life.

Further, there is nothing really “dangerous” about, Rihanna’s expression of sexuality because that “danger” is already safely quarantined. The final, with the ironic understatement, “Look at me now” (42).

Medusa | Patricia Smith ”Medusa” Patricia Smith. collection of poetry that imagines the voices of various wives throughout literary history. uphold her armored bikini top. Taylor English, Miami University, Sign in to comment to your favorite stories, participate in your community and interact with your friends. You've got this, you deserve all the self-compassion. Her behavior appears to be a role reversal: she pursues the male who is “easy,” a, derogatory term typically reserved for sexually active women. She was given chicken legs, giant metal wings, cracked skin, madness, and her signature snake hair and stone eyes. will be born with the head of a fish. Poseidon was easier than most.He calls himself a god,but he fell beneath my fingerswith more shaking than any mortal.He wept when my robe fell from my shoulders.I made him bend his back for me,listened to his screams break like waves.We defiled that temple the way it should be defiled,screaming and bucking our way from corner to corner.The bitch goddess probably got a real kick out of that.I'm sure I'll be hearing from her.She'll give me nightmares for a week or so;that I can handle.Or she'll turn the water in my well into blood;I'll scream when I see it,and that will be that.Maybe my first child will be born with the head of a fish.I'm not even sure it was worth it,Poseidon pounding away at me, a madman,losing his immortal mindbecause of the way my copper skin swells in moonlight.Now my arms smoke and itch.Hard scales cover my wrists like armour.C'mon Athena, he was only another lay,and not a particularly good one at that,even though he can spit steam from his fingers.Won't touch him again. On one hand, these lines clearly refer to, a sexual economy within which women’s value derives only from their youthfulness and beauty, Aging is Medusa’s curse, as foul a punishment as having snakes for hair. One requirement to be a priestess for Athena is that the young woman must be a virgin and give her life to the goddess. In one shot, a naked Rihanna licks the snake’s body while draping the rest of it over her head. She made sure no one would ever want Medusa again; one look at. Annabeth alone and surrounded by stone statues, Medusa looks enviously on her youthful, changed, because of your mother—who cursed me….” There is no explanation as to why Athena, misogynistic: completely eliminating the reference to Medusa’s rape, depicting her as sexually.

As Medusa defends her case. A, terrorism against women as the norm. various incarnations of Medusa into genres such as video games, table top games, web comics, and, graphic novels, among others.

If Io, could fight off a god, what does this imply about Medusa? In this respect, Io resembles the popular, women who have been assaulted by men.

All information has been reproduced here for educational and informational purposes to benefit site visitors, and is provided at no charge... Recite this poem (upload your own video or voice file). Is it still a collision courseif you must lie down to rest? losing his immortal mind Bad Girls and Transgressive Women in Popular Television, Fiction, and Film (pp.183-208), The Eternal Internal Gender Wars of Our Sisters. Smith’, their desirability, “[H]ow can any woman live like that?”.

In, 1976, Cixous wrote of the mythologies of gender perpetuated by patriarchy: “They riveted us, [women] between two horrifying myths: between the Medusa and the abyss. I feel my eyes twisting, Poem #20: Medusa by Patricia Smith Patricia Smith, born in 1955, is an American poet and spoken word performer. This essay examines these contradictory attitudes, arguing that, the contrast between them brings into relief compelling evidence of a thriving “rape culture”, A victim of rape in Greco-Roman mythology, suited for appropriation by contemporary feminists seeking to challenge the myths of modern, Buchwald, Maria Roth, and Pamela Fletcher define the term as, a complex of beliefs that encourages male sexual aggression and supports violence, against women.

have grappled for control of Medusa’s meaning—some celebrating Perseus’, monstrous female, others empathizing with Medusa as a victim of male aggression. Cellini’, Perseus straddles the naked, decapitated body of Medusa, her, firmly where her legs join her waist. His sword, again an image of, passed federal hate crime laws which included gender-based crimes in 2009, and outlawed sex. My discussion critiques the ways in which models from trauma studies and rape crisis intervention fall short in accounting for the complexity of African experiences with sexual violence. See “Medusa,”, featured Medusa as a character, eleven since 2014 and several more slated for 2016-2018. Poseidon was easier than most.He calls himself a god,but he fell beneath my fingerswith more shaking than any mortal.He wept when my robe fell from my shoulders.I made him bend his back for me,listened to his screams break like waves.We defiled that temple the way it should be defiled,screaming and bucking our way from corner to corner.The bitch goddess probably got a real kick out of that.I’m sure I’ll be hearing from her.She’ll give me nightmares for a week or so;that I can handle.Or she’ll turn the water in my well into blood;I’ll scream when I see it,and that will be that.Maybe my first childwill be born with the head of a fish.I’m not even sure it was worth it,Poseidon pounding away at me, a madman,loosing his immortal mindbecause of the way my copper skin swellsin moonlight.Now my arms smoke and itch.Hard scales cover my wrists like armor.C'mon Athena, he was only another lay,and not a particularly good one at that,even though he can spit steam from his fingers.Won’t touch him again. She won't be gracious about it. The first stanza of Smith’s poem imagines Medusa as a powerful woman who actively, pursues and seduces Poseidon: “He fell beneath my fingers,/and wept when my robe fell from, than most” (1). Duffy often uses dark humour in her poems and writes in monologues filled with rhetorical questions which encourage the reader to try and see life through the eyes of the narrator (as is the case with Medusa.) I've learned a lot about what good self-care should look like.

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and spy whole lifetimes on the undersides of leaves.Jazz intrudes, stank clogging that neat processionof lush and flutter. Now my arms smoke and itch. and which Clampitt had accused Milton of perpetuating in the, Percy Jackson and the Olympians: The Lightning Thief, "Sticks and stones may break my bones, but chains and whips excite me," "I like it, Medusa: Solving the Mystery of the Gorgon, While the myth of the gorgon and even remnants of Medusa’, In 1922, Sigmund Freud famously posited that Medusa represents castration anxiety, the snakes, (1942) decried rising feminist efforts, demanding that the cult of “momism,”, (1989) argues that the gorgons, which appear on Neolithic amulets and shields, evidence.

She was scared of her powers and angry at the gods for cursing her. Indeed, Hirst was likely inspired by and paying homage to John, Collier’s 1887 oil painting, “Lilith,” which features the creation myth’s first “bad girl” naked and, pleasuring in the attentions of a python.
of that first touch,
He calls himself a god, but he fell beneath my fingers with more shaking that I can handle.

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