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Dialogues des Carmélites tells a fictionalised story of the Martyrs of Compiègne, Carmelite nuns who, in the closing days of the Reign of Terror during the French Revolution, were guillotined in Paris for refusing to renounce their vocation.
Please note that performance dates for Festival 2021 are still to be confirmed.
Image credits: Pelléas et Mélisande and Cendrillon, photos: Richard Hubert Smith | Le nozze di Figaro, photos: Robbie Jack. Our online shop offers a great selection of exclusive and locally sourced products. Find out how you can join as an Associate Member, Help ensure Glyndebourne's future for generations to come, The cookie settings on this website are set to ‘allow all cookies’ to give you the very best experience. Such an intense, deeply psychological story is a perfect fit for director Barrie Kosky – in 2015 the director helmed our acclaimed production of. Kosky’s last production for Glyndebourne was his blazingly original and visually spectacular staging of Handel’s Saul, which premiered in 2015 and was revived in 2018.
Based on a true story, the tragedy of Poulenc’s Carmélites is both a widescreen historical and political tragedy, and an intimate psychological exploration of faith.
Glyndebourne favourite Danielle de Niese is confirmed to play the role of Blanche. * Select a date to view the available performances. Learn more, including about available controls in our, DIALOGUES DES CARMÉLITES IS ON STAGE from 21 MAY – 19 JULY 2020, What we’re doing to keep everyone safe at Glyndebourne. The music is punctuated irregularly by blade-blows as, one by one, the women are executed. In return, you gain an insider view of the creative process through exclusive events and rehearsals, as you help us bring this production to life. Performance days have been highlighted. There is no musical escape from their fate. Read our step-by-step guide to the autumn experience and fin…, Find out everything you need to know about Offenbach's fabul…, Our shop's new David Hockney range features his iconic desig…, Glyndebourne is facing a devastating impact due to the loss ….
They are joined by Karen Cargill, who played Geneviève in 2018’s Pelléas et Mélisande, as Mère Marie.
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is both a widescreen historical and political tragedy, and an intimate psychological exploration of faith.
One of the most devastatingly powerful operas in the repertoire, a compelling portrait of faith, fate and human endurance, Poulenc’s Dialogues des Carmélites (1957) is all the more astonishing because it is the composer’s only full-length opera.
Dialogues des Carmélites will be conducted by our Music Director, Robin Ticciati, who has brought a number of notable French works to the Festival before. Supported by Carmelites promises to be a highlight of the three-month, six-production Glyndebourne, opera season.
Top pick for 2020 in The Sunday Times and The Times.
Danielle de Niese on Dialogues des Carmélites Soprano Danielle de Niese shares her thoughts on Dialogues des Carmélites and working with director Barrie Kosky.
In this installment of our Introducing… series we take a look at Poulenc’s, Danielle de Niese on Dialogues des Carmélites. The final scene’s ‘Salve Regina’ is one of the most famous (infamous, even) endings in all opera. Performance days have been highlighted.
The number of voices gets smaller and smaller (the second verse is sung by only four voices), and to further ratchet up the tension each restatement of the hymn rises upwards, turning the musical screw. One of the most devastatingly powerful operas in the repertoire, Dialogues des Carmélites is also one of the most beautiful.
Enjoy priority booking for the Festival. DIALOGUES DES CARMÉLITES IS ON STAGE from 21 MAY – 19 JULY 2020 Public booking opens on 8 March 2020 Find out how you can join as an Associate Member, Help ensure Glyndebourne's future for generations to come, The cookie settings on this website are set to ‘allow all cookies’ to give you the very best experience. Plus, you enjoy year-round benefits and a tailored relationship with Glyndebourne.
For more information please contact the Development team on +44(0)1273 815400 or development@glyndebourne.com. Her most recent role at the Festival was the title role in 2019’s, – will play Madame Lidoine. They are joined by.
Read our step-by-step guide to the autumn experience and fin…, Find out everything you need to know about Offenbach's fabul…, Our shop's new David Hockney range features his iconic desig…, Glyndebourne is facing a devastating impact due to the loss …. Public booking opens at 6PM on Sunday 8 March. Find out how you can join as an Associate Member, Help ensure Glyndebourne's future for generations to come, The cookie settings on this website are set to ‘allow all cookies’ to give you the very best experience. and a Syndicate and Circle of Individuals L’elisir d’amore (23 May – 18 July) Warmth and sparkling laughter highlight Donizetti’s greatest romantic comedy. Read our step-by-step guide to the autumn experience and fin…, Find out everything you need to know about Offenbach's fabul…, Our shop's new David Hockney range features his iconic desig…, Glyndebourne is facing a devastating impact due to the loss …. Just what can we expect from Barrie Kosky’s Dialogues des Carmélites? Book best seats to this sell out production at Glyndebourne 2020. See images from our our first indoor production since March!
Glyndebourne Members have priority booking for Festival 2021 – find out more about becoming a Member. Glyndebourne Festival 2020 will see our first ever production of Dialogues des Carmélites directed by Barrie Kosky.
Poulenc wrote the music and libretto in 1956, his second opera. Her most recent role at the Festival was the title role in 2019’s Cendrillon. * Select a date to view the available performances. We hear from the man himself about what’s coming to the stage this summer… Glyndebourne’s first ever staging of Poulenc’s extraordinary 20th-century tragedy Dialogues des Carmélites opens Festival 2020 on 21 May. Public booking opens in March 2021.
Dialogues des Carmélites is sung in French with English surtitles.
In the video above Alexandra talks to members of the Glyndebourne Chorus about Kosky’s unique directing style. Carol and Paul Collins through Glyndebourne Association America Inc. There’s both grandeur and austerity, impact and intimacy here in music that has all the melodic beauty of Poulenc’s songs, now intensified into sung drama. Or fill out the form below to be contacted by a member of our team.
Heading up the cast is Glyndebourne favourite Danielle de Niese as Blanche. What's on in 2021. In the video below, our resident opera expert, Alexandra Coghlan, explores the real life events that inspired Poulenc, talks to the Glyndebourne Chorus about what it’s like to work with director Barrie Kosky, and takes an in-depth look at the opera’s unforgettable final scenes. Dialogues des Carmélites (21 May – 19 July) Glyndebourne’s first ever staging of an extraordinary 20th-century tragedy.
Such an intense, deeply psychological story is a perfect fit for director Barrie Kosky – in 2015 the director helmed our acclaimed production of Saul, a smash hit with audiences and critics alike.
Only the youngest, Constance, is left to sing the closing line.
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