Helena de Groot: In January of 2016, Forrest Gander lost his wife and closest artistic companion of 33 years, the poet C.D. “I outlived my life,” he writes. This collection of elegies for Wright confirms receipt of the message and returns it. February 11, 2020 By Cheyenne Curling '20. I was swarmed by those bees and lost consciousness.
At the 2011 International Poetry Nights in Hong Kong, the theme of which was Words & the World, C.D.
As her work makes clear from its start, for CD, ethics was a condition of being.
Wright, died suddenly, and a number of the book’s poems deal with the “grief-sounds” and the “tetric silence” that he experienced after this loss. Forrest Gander Born in California’s Mojave Desert, poet Forrest Gander grew up in Virginia and attended the College of William & Mary, where he majored in geology. In 1978, C.D. Lucas Klein reviews Forrest Gander’s challenging new collection of poetry. The heavy silences between these single-line stanzas suggest a blackout or a seizure, something more dire than a break for thought.
For me, these lines are both about poetics and personal relationships.
Forrest Gander, who teaches at Brown, is a poet, accustomed to distilling words. This poet’s cabinet even talks in meter. Will be used in accordance with our Privacy Policy. Meanwhile, the world proposes alternative measurements of time and loss. wrote, “It is a function of poetry to locate those zones inside us that would be free, and declare them so.” And declare them so she did, shining. We may not understand when we read what is written there, but as good travellers we should say thank you in whatever way we can. No one so brave to deface those. David Remnick speaks with Gladwell about using theory to understand complex phenomena, and how that understanding can change.
Forrest Gander is a writer, translator, and editor of several anthologies of writing from Spain and Mexico. ( Log Out / "That's what poetry does.
I imagine the question to be something Wright asked Gander after reading a draft of his, or a question Wright and Gander discussed in relation to poets who, as I put it above, revel too much in language games (the structure of “What it Sounds Like” makes it sound like Bob Perelman’s poem “China”), yielding incomprehensibility—or, even worse, forgo emotional stakes.
A STORY STRIPPED TO THE BONE For his girlfriend's birthday, Les, the protagonist of Forrest Gander's first novel, As a Friend, hangs a horse skull from the ceiling, douses it with lighter fluid, and sets it on fire. Ruth’s Alzheimer’s gives her “cipher-names of her husband and her grandchildren, a language of blanks” (73); her son implores himself “to forget you’ve heard it before and to receive her words as her first words or her last ones, for she repeats things not only because she’s forgotten but also so they will be remembered” (75). Yet that way of making sense of words as depicting a world creeps on, regardless. Grief takes us back to the same “point” in time, again and again, even as the clock—and the book itself—moves forward. ". There’s nothing ahead for him except grieving. Poetry itself, for C.D., was that which liberates us by dodging categorization. Mencken.
"All the secondary, tertiary worlds of characters and friends I had to eliminate and focus on a very limited set that I could intensify," Gander says.
The book begins with “It’s not the mirror that is draped, but / what remains unspoken between us” (“Son,” 11), words that refer to sitting shiva and imply, obliquely, difficulties in communication.
Her engagement with writing was immediate and unpretentious, and based in the deeply-felt sense of generosity that permeates her books. Only the insulated darkling beetle.
Rarely is a friendship equal to both parties, and Gander’s story portrays the dangers in an imbalance.
Wright, who died unexpectedly in her sleep. By rejecting translation in such moments, Gander, a translator, draws attention to the need for translation, for the need for borders to be crossed—even, or especially, when magnetic sensors register movement and direction on both sides of the pavement. forward to, she says Change ), You are commenting using your Twitter account. Wright died unexpectedly in early 2016, from a clot that had formed inside a blood vessel on a flight home from Chile. The parallel structure of its sentences suggests hasty bulletins delivered in a narrowing span of consciousness.
© 2020 Condé Nast. Change ), See the editorial and submissions link above for contact details, Gender, Health, and History in Modern East Asia, Hong Kong and Chinese Literature and Culture. (89). The poetry tells us how to read it: “It means just / what it feels like / it means” (“Tell Them No,” 44). It’s about the nature of attraction, how it reveals more about the attracted than its object of desire. The last words of the book are, afar, do you see me now You can intensify and open up small things.
published while she was still alive, ShallCross . But even in near-darkness there’s light enough for a new, strange kind of love poem: .
Ekphrasis is of course one way of meditating on the relationship between words and things, and in their way the poems are also about translation (the littoral zone is the part of a body of water closest to the shore, but can you hear “littoral” without also thinking of literal?). This is his first novel. “Beckoned” is a poem about finding the words. And in that sensation, beneath the second-guessing, the intertextuality, the untranslatability, lies an answer. to whom if His translation of Xi Chuan (New Directions) won the 2013 Lucien Stryk Prize, and he has three books out in 2018: October Dedications, translations of Mang Ke (Zephyr); Li Shangyin (NYRB); and his monograph, The Organization of Distance (Brill).
The title of Forrest Gander’s latest book of poems, “Be With” (New Directions), is a blurted command welling up from yearnings not quite expressible in language. “It may be that because poetry is the most difficult to pin to the wall,” she said, “it has a chance of a future.” And perhaps this is why C.D. Reciprocity is suddenly broken, as though one player in a game had walked off the court mid-volley. These are just a few of the many ways one might describe C.D. To revisit this article, visit My Profile, then View saved stories. not you?
Evening The last section of the book, “Littoral Zone,” is a series of poems on photos by Michael Flomen.
Forrest Gander 2019 Pulitzer Prize .
The fleeting moments that Gander assembles seek an order that is not merely chronological. registran movimiento y dirección. And what ventures into the afternoon heat? Born in the Mojave Desert in Barstow, California, Forrest Gander grew up in Virginia and spent significant years in San Francisco, Dolores Hidalgo, Mexico, Eureka Springs, AR, and Providence, RI. Some possibility, in which I didn’t believe, of being with her once more. The phrase “phantasmic standoff” is lifted directly from “Redstart,” where it refers not to humans but to strange “nocturnal / pods,” surging in the dark water. Gander, who teaches at Brown, is the author of eleven books of poems and two novels, plus multimedia collaborations and distinguished translations. To revisit this article, select My Account, then View saved stories. Wright was the wife of Forrest Gander, whose new collection of poems is under review here. Gander’s newest book, Be With, 2018), is riddled with the “searing exquisite singularity” of death. After completing her studies in Arkansas, she lived in New York and San Francisco, where she met the poet Forrest Gander. At which point there was no way out for me either.
She was democratic that way as in all things. C.D. As a Friend, Reviewed in Literature, Philosophy & the Humanitites. And the themes of the book still lurk. How A. R. Ammons turned the mundane—garbage, boredom, his car not starting—into art. Later in 2016 Gander published his translations of …
He is the author of six books of poetry, articles of literary criticism, and numerous translations.
Poetry often creates a supernatural-seeming rapport with the dead, but rarely has the communication between worlds felt so eerily reciprocal. In the form of a letter from Bierce to H.L. Forrest Gander ’78, Pulitzer Prize Winner. Poetry by Forrest Gander: “The heart of charity / bears its own set of genomes.”
The title of Forrest Gander’s latest book of poems, “Be With” (New Directions), is a blurted command welling up from yearnings not quite expressible in language. To write about profound loss, you step inside a genre, elegy, that is full of haunting echoes.
That’s about as much comfort as arrives in this harrowing, sometimes despairing book. In 2017, he was elected as a Chancellor to the Academy of American Poets and in 2019, he was awarded The Pulitzer Prize in poetry. Why, say anything about death, howthe body comes to deploy the myriad worm, as if it were a manageable concept notsearing exquisite singularity? The Trace by Forrest Gander The Trace is peripherally about Ambrose Bierce, who makes a direct appearance only in a three-page epilogue.
The relationship between the world and the words we use to describe it is a question of ethics for literature. And as language cannot but refer—even if we as users of language must also at times doubt such referencing—then the postulating of references is the reader’s insertion of her or himself into what is read. The book Forrest wrote in the aftermath is called Be With , a title taken from the dedication page of the last collection C.D. This breach is honored in real time: the poem suddenly veers off in a personal direction. As my quotations only hint at, these poems also swarm with insects and arachnids, a detail I cannot figure out. This image is like the whole novel in one stroke: creepy and haunting, lovely and strange. Early on, she candled eggs for a poultry farm while he played “frisbee on the green.” One night, instead of making love Wright takes a bath, her knees poking up “through the soap bubbles,” while Gander stargazes under the “Prawn Nebula.” Loss is what makes these memories visible; without it, what you have is just another evening of slightly divergent marital priorities.
He has received The Whiting Award, two Gertrude Stein Awards for Innovative North American Writing, a Pushcart Prize, an NEA … The poems in “Be With” recall the happy parallel paths in life and in art that he and Wright followed—always within a holler of each other.
is a story stripped to the bone—106 pages of gestures and sketches. Boston Globe columnist Jan Freeman is the author of Ambrose Bierce's "Write It Right": The Celebrated Cynic's Language Peeves Deciphered, Appraised and Annotated for 21st-Century Readers.
“Be with”: the phrase is stripped of its object; the beloved has been ripped from the world. C.D.
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