How? The Behringer B-1 is a large diaphragm condenser microphone designed as a budget microphone for low end home studio owners. Back to Product List. Don’t worry about the microphone as much as the gear surrounding it. To prove that I’m not swapping voice processors, you’ll even hear me changing out the microphones. Very truthful and solid. I don’t know if it’s me the B1 sounds like it has more sibilance and that’s just from you talking, imagine a singer. Live Chat. However, if you’re more hands on and prefer a mixer, the Xenyx 802 is a good option. Print Email. Here is my question… Customer Service 800.221.5743 or 212.239.7765. No items to compare. Back to Product List. It is used daily to voice-track shows and cut commercials. I’m a 15 year radio veteran. I´ve been talking over and over to this mic test comparation to my friends and co-workers.
He started out with a Behringer B-1. Less costly mics tend to be less consistent from mic to mic, batch to batch, and use much less costly components in their circuitry, as well as often more complex architecture to create their sound. Nothing. I’ve seen the debate between high-end and low-end microphones both in-person and on internet message boards. Most of the Behringer mixers are just fine in fact. Great objective review! This review moved me to the buy side of the fence. Quality of materials and parts used in construction. This is your greatest ally, and a most important challenge to be worked out for every situation. Thanks for the shootout! Given that there are listening options that destroy the beauty, subtlety, dynamic range, sonic image etc., of a recording, should we opt towards lower end equipment and be happy, or do we work our butts off and hearts out for working with and listening with a format that allows the full sonic picture to be reproduced as purely as possible? It is this response curve, more than any other spec that determines a mic’s sonic fingerprint. There is a mic for every sound from LoFi to HiFi, but when we need that ultimate, I for one will pay anything I can afford to bring it to the artist who wants it. Also, I don’t use any mic processor (my choice) and I get very professional sound with the TLM, mBox 2 and a Mac computer. Contact Us. Try a high shelf EQ with wide Q and 6dB of boost at 5k with several mics, and see which tracks become strident and which simply get a huge lift in the high end. In the end, it’s all about your budget and application. The GREAT GOAL is to have an “Arsenal of diffrent mikes”. The TLM comes alive when it has a setting of 50 ohms, while the Beringer is to be set around 300 ohms. You will find they sound very different at the proper settings. The kind of microphone you can toss into the backseat on the way to a gig and not think twice. The TLM-102 has a much more natural response curve, is a far more versatile mic if you can only afford one higher end starter mic, but is still one of Neumann’s toys (by comparison) assembled with SMT component circuit boards that mount with little tabbed plastic mounts. range of 20-20, I could toss in the Rode NT-5 which boasts SMT components, transformerless circuitry, but I will hazard a guess might have a slightly different response curve than either the Behringer or the Neumann.
He jokes all the time about how that “starter microphone” made him a living for a few years. Sales & Expert advice 800.606.6969 or 212.444.6615. A Top-40 DJ might want to sound punchy, while a soft-rock DJ will want to sound warmer. And sorry for my bad english. HEY， MAN ! IMHO: The B-1 sounds brighter and a bit “punchy”, while the TLM 103 sounds warm and more “mellow”. This room is “Prod 3”. !I AM GOING TO BUY A B1. Interesting and timely that I came across this story.
Enter your email address to subscribe to this blog and receive notifications of new posts by email. Contact Us. Placement is everything when it comes to micing, and moving it even an inch or rotating it several degrees off axis will often make great changes in timbre. So long as mic placement was good, the superb microphone will show themselves head and shoulders above the rest. I’ve use it to voice-track, cut voice-overs, and mic live instruments (the coolest being a 100 year-old cello).
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