Later, citing a poet mentor, Weigl wrote: “Charlie Simic told me a long time ago that the world had given me a subject, and that I could not turn my back on that subject.”. 0 -0.01 411.85 632.64]>>endobj 6 0 obj <>>>/Annots[25 0 R 26 0 R]/Contents[30 0 R 31 0 R 32 0 R]/MediaBox[0 0 411.85 628.8]>>endobj Only poetry lasts. Tran Trong Dai asks why his mother left behind neither note nor photo to tell him not only who she was, but who he was. As the Introduction to this book explains, “the source for copies of the diaries where these poems were found, came into existence as a result of coordinated intelligence-gathering by United States, Republic of Vietnam, and allied forces in the Vietnam War…between October 1966 and late 1972.” Microfilm copies of these poems are archived at the William Joiner Institute for the Study of War and Social Consequences at UMass Boston https://www.umb.edu/joinerinstitute. . In 1967, TIME considered the often paradoxical situation of African-American soldiers in Vietnam and what effect the war would have on them. What I witnessed and participated in was the random destruction of livestock, civilian homes and sometimes whole hamlets, the detention and often brutal interrogation of civilians, and the routine killing of unarmed men, women and children by the American military and its Saigon ally. By using literary techniques unique to the Black Aesthetic and the Black Arts Movement of the 1960s, these poets lyrically showed how Black involvement in the War aided the dominant white culture in its attempt for racial genocide. AAR is published at Indiana State University, a state-assisted %PDF-1.5
Among the two million and more young men who went to Vietnam as soldiers, those dozens who came home to write about the Vietnam War evolved a poetry which deserves to be better known—allied to, but distinctively different from other anti-war poetry of the time. This institute played a vital role in initiating and sustaining postwar contact between American and Vietnamese writers.
Across the room, her dresser has become an altar. In his translations of the late 18th to 19th century poet Ho Xuan Huong, Balaban adds to our knowledge of Vietnamese poetry with an enduring woman’s voice.
When Alexander of Macedon went out to wage his campaign of world conquest, he nightly tucked a dagger under his pillow, and waking or sleeping, also carried a headful of passages from Homer’s Iliad. . The ugly rage of PTSD never leaves us, even after 50 years…what a legacy we leave to the 70% of ALL Iraq & Afganistan troops now diagnosed as suffering from PTSD…drug & alcohol abuse, multiple divorces, homelessness, jail…broken lives…ticking timebombs.
The bathing girl does not see us till we’ve stopped and gaped like fools. Interactions with children wounded mentally and physically are prominent in American lyrics. Lorrie Goldensohn published American War Poetry: An Anthology (Columbia University Press, New York: 2006), which contains a substantial selection of Vietnam War poetry, as well as Dismantling Glory: 20th Century American and English Soldier Poetry (Columbia University Press, New York: 2003), which contains a lengthy chapter on the same subject. AAR has received Published in 1998, his tenth collection of poems still signals the lasting impact of the war. So, now one can sometimes see a friend or a famous man talking with an extra pair of lips glued and yammering on his cheek, and this is why handshakes are often unpleasant, why it is better, sometimes, not to look another in the eye, why, at your daughter’s breast thickens a hard keloidal scar. This move was new, and not duplicated by other generations of war poets. The stranger wants “to gather the heart of this place/ into himself, to make it forgive him.” His explanation of who he is “lies on his tongue /like a bird with a broken wing.” Two girls near him begin to play badminton without a net, and eventually offer him a racket and shuttlecock. And girls. It is his sense, shared by many veteran poets, that American insertion into the Vietnam War was a catastrophic mistake, our mission of aid hopelessly flawed. The girls’ mother gestures for him to sit. Through a translation of a folk poem from Hue, “The Ship of Redemption,” Balaban manages to derive some balm for the still raw wound of his own memory of Vietnam: The bell of Linh Mu Pagoda tolls, awakening our drowsy souls, probing, reminding us of debts, washing us clean of worldly dust. VIETNAM FULL DISCLOSURE / VETERANS FOR PEACE Towards an honest commemoration of the American War in Vietnam, Asia-Pacific Research, September 04, 2018, “All wars are fought twice, the first time on the battlefield, the second time in memory .
In 1993, after a second return to Vietnam, Ehrhart opens “Finding My Old Battalion Command Post” in this low key: …after the years we’ve dreamed if only we could touch the wound again, we could be whole, no small wonder to discover only a lethal past between us, what we thought a brotherhood only a mutual recollection of fear. Here is the conclusion of “Cenotaph”: I know his mother Tried to pull the flag to the floor & pry open the coffin. They teach us meaningless lessons On how to shit, how to sleep. The Full Disclosure campaign is a Veterans For Peace effort to speak truth to power and keep alive the antiwar perspective on the American war in Viet Nam — which is being commemorated during this decade with a series of 50th anniversary events. Sgt. I think of us chatting in an immense dusk, listening to poems sung in the evening, the two of us drinking tea together. American Writers Against the Vietnam War was an umbrella organization created in 1965 by American poets Robert Bly and David Ray.
Quite a few poets, some expressing interest in poetry since high school, in postwar life chose training in Creative Writing programs.
JSTOR is part of ITHAKA, a not-for-profit organization helping the academic community use digital technologies to preserve the scholarly record and to advance research and teaching in sustainable ways. In these lines from “To the Irish Americans Who Fought the Last War,” Connolly writes: In the calmness of prisoners shot for spite, the brave James Connolly.
Last week of October – U.S. combat deaths number 24, lowest since October 1965. Much closer to Balaban’s postwar American awareness are his lines from “After Our War,” signaling overwhelming ravage, mutilation, and deformity, both moral and physical. 0 409.9 628.8]>>endobj 12 0 obj <>endobj 13 0 obj <>stream Later, when the war and the military had shifted a toxic masculinity, many a maverick intelligence found college amenable.
Even as the poems express despair—at New Year, Tuong Hac Long writes, “At thirty-four I feel lost and hopeless.” Other poems affirm longing for home village and birthplace, while others acknowledge war weariness.
A poem by combat veteran David Connolly (image on the right), published in Lost in America (1994), focused on the Irish revolutionary history of his antecedents–showing how his generation found themselves as soldiers on the wrong side of wars of national liberation.
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