III. The so-called exemplary Man. Love is the Law, Love under Will. A piece of art sold as a piece of meat. Money and its delirious chase. The fistful of love of king Normal XXIst, the castigations and the harassing looks that stab; will we set them on fire? The ropes on our bulging necks will evaporate before their perplexed hatred and their crowds lit on fire. Not a single of our feet, nor a hoof will dangle in the air!
Excerpt from Monsters are God’s Children Too manifesto by Sergio Bonilla Pinzón
Bonilla Pinzón’s manifesto is transformed into drawings, creating a new world of exiles that become free subjects of desire, where repression explodes in favour of bended genders, deviant impulses, beautiful monsters, powerful queerness and shattered doctrines. The works are painted in the manner of old and new masters but diverted with fearless chaotic political identities.
Simon English responds to Sergio Bonilla Pinzón’s work with his drawing “Bunter H.P. (the will of the gods) commencing a dialogue across studios, cities, continents.
FILET is a space for experimental cultural production directed by Rut Blees Luxemburg and Uta Kögelsberger. Based in London in close proximity to the digital roundabout, FILET is a physical research organ that provides a space for the production, dissemination and discourse of contemporary culture. Filet’s curator in residence is Brenna Horrox
FILET SPACE 103 Murray Grove, London, N1 7QP filet103@gmail.com
