with a new hosta under the main feeder. the Red River Gorge, the fistful of land left And I want you to read it. bury yourself in leaves, and wait for a breaking, And then I kept thinking, What are the other things I can do that with?. Yet what Amanda has gone on to investigate and so, so helpfully illuminate is not just about journalism, or about politics. And I was having this moment where I kept being like, Well, if I just deeply look at the world like I do, as poets do, I will feel a sense of belonging. No, really I was. Yeah, Ive got a lot of feelings moving through me. Yeah. Why are all these blank spaces? It has silence built all around it. Her volume The Carrying won the National Book Critics Circle Award for Poetry, and her book Bright Dead Things was a finalist for the National Book Award. And you could so a lot of what he knew in Spanish and remembered in Spanish were songs. And poetry doesnt really allow you to do that because its working in the smallest units of sound and syllable and clause and line break and then the sentence. Krista Tippett, Becoming Wise: An Inquiry into the Mystery and Art of Living. Limn: Yeah. Seems like a good place for a close-eyed I have your books, and theres some, too. Limn: [laughs] Yeah. I wrote in my notes, just my little note about what this was about, recycling and the meaning of it all. I dont think thats . "Right now we are in a fast river together every day there are changes that seemed unimaginable until they occurred." adrienne maree brown and others use many . Krista Tippett (2) Rsultats tris par. Krista Tippett is a Peabody-award winning broadcaster, National Humanities Medalist, and New York Times bestselling author. So I think there was a lot of, not only was it music, but then it was music in Spanish. 4.07 avg rating 5,187 ratings published 2016 20 editions. I feel like it brings us back to wholeness somehow. We honor poets and poetry as necessary companions in mustering words spacious and generous enough to reach across the mystery of ourselves and the mystery of each other. Tippett: Thats so wonderful. I trust those moments where it feels like, Oh, right, this is a weird. Language is strange, and its evolving. This hour, Krista draws out her creative and pragmatic inquiry: Could we let ourselves be led by what we already know how to do, and by what we have it in us to save? But in reality its home to so many different kind of wildlife. You boiled it down. And its funny to tell people that youre raised an atheist because theyre like, Really? But I was. capture, capture, capture. Limn: Yeah. and I never knew survival On Being with Krista Tippett On Being Studios Poetry Unbound On Being Studios Becoming Wise On Being Studios This Movie Changed Me On Being Studios Creating Our Own Lives On Being Studios More ways to shop: Find an Apple Store or other retailer near you. that sounds like someones rough fingers weaving in an endless cave, the song that says my bones And if I had to condense you as a poet into a couple of words, I actually think youre about and these are words you use also wholeness and balance. With an unexpected and exuberant mix of gravity and laughter laughter of delight, and of blessed relief this conversation holds not only what we have traversed these last years, but how we live forward. Wisdom Practices and Digital Retreats (Coming in 2023). Nothing, nothing is funny. are your bones, and your bones are my bones. [audience laughs] And he had a little cage, I would make sure he was And he would get bundled up and carried from house to house. its like staring into an original Because I couldnt decide which ones I wanted you to read. And I was in the backyard by myself, as many of us were by ourselves. Here it is again as an offering for Mothers Day in a world still and again in flux, and where the matter of raising new human beings feels as complicated as ever before. Tippett: And you have said that you fell in love with poetry in high school. And so thats really a lot of how I was raised. And to not have that bifurcated for a moment. Is where that poem came from. Precisely at a moment like this, of vast aching open questions and very few answers we can agree on, our questions themselves become powerful tools for living and growing. This conversation shines a light on an emerging ecosystem in our world over and against the drumbeat of what is fractured and breaking: working with the complex fullness of reality, and cultivating old and new ways of seeing, to move towards a transformative wholeness of living. That is real but its not the whole story of us. Tippett: Well, a lot of us I think are still a little agoraphobic. But its about more than that. I will say this poem began I was telling you how poems begin and sometimes with sounds, sometimes with images This was a sound of, you know when everyone rolls out their recycling at the same time. Mosaque Liste Walking in Wonder Eternal Wisdom for a Modern World - ebook (ePub) John Quinn . We want to rise to what is beautiful and life-giving. And the Sonoma Coast is a really special place in terms of how its been preserved and protected throughout the years. Adventures into what can replenish and orient us in this wild ride of a time to be alive: biomimicry and the science of awe; spiritual contrarianism and social creativity; pause and poetry and more towards stretching into this world ahead with dignity . and the world. I just set my wash settings to who Id like to be in 2023: Casual, Warm, Normal., Limn: Yeah, that was true. Shes written six books of poetry, most recently, won the National Book Critics Circle Award for Poetry, and her volume, . Editor's note: This Q&A has been adapted from the podcast "Interfaith America with Eboo Patel.". We keep forgetting about Antlia, Centaurus, Page 87. Its so interesting because I feel like one of the things as you age, as an artist, as a human being, you start to rethink the stories that people have told you and start to wonder what was useful and what was not useful. Alex Cochran, Deseret News. I feel like I could hear that response, right? And shes animated by questions emerging from those loves and from the science she does which we scarcely know how to take seriously amidst so much demoralizing bad ecological news. When you open the page, theres already silence. [laughter] But I mean, Ive listened to every podcast shes done, so Im aware. hoping our team wins. Ada Limn is the 24th Poet Laureate of the United States. Tippett: I chose a couple of poems that you wrote again that kind of speak to this. If you are here, you are likely already part of this. It brings us back to something your grandmother was right about, for reasons she would never have imagined: you are what you eat. It comes back to these questions of like, Why do I get to be lucky in this way? I feel like that between space, that liminal space, is a place where we were living for so long, and many of us still living in that between space of, How do I go into the world safely, and how do I move through the world with safety and care-take myself and care-take others. And we all have this, our childhood stories. Or, Im suffering, or Right. And now Ill just say it again: they are the publisher of the 24th Poet Laureate of the United States. On Being, which began on public radio, has been named a best podcast by The New York Times, The Wall Street Journal, The Guardian, the Webbys, iHeart Radio with more than 400 million downloads. Krista Tippett; Filtrer Krista Tippett Voir les critres de classement. Musings and tools to take into your week. Tippett: You said a minute ago that the poetry has breath built into it, and you said also that, you have said: its meant to make us breathe. I am human, enough I am alone and I am desperate, enough of the animal saving me, enough of the high. Our closing music was composed by Gautam Srikishan. And were at a new place, but we have to carry and process that. My mother says, Oh yeah, you say that now.. This is a gift. And that reframing was really important to me. The one that always misses where Im not. In fact, Krista interviewed the wise and wonderful Ocean Vuong right on the cusp of that turning, in March 2020, in a joyful and crowded room full of podcasters in Brooklyn. [laughs] Oh my. A scholar of belonging. A scholar of magic. She grew up loving science fiction, and thought wed be driving flying cars by now; and yet, has found in speculative fiction the transformative force of vision and imagination that might in fact save us. I think there was also he also was a singer, so he would just sing. My body is for me.. It wasnt used as a tool. I was so fascinated when I read the earlier poem. Tippett: And this is about your childhood, right? Tippett: So I feel like the last one Id like for you to read for us is A New National Anthem, which you read at your inauguration as Poet Laureate. But I do think youre a bit of a So the thing is, we have this phrase, old and wise. But the truth is that a lot of people just grow old, it doesnt necessarily come with it. We journalists, she wrote, "can summon outrage in five words or has lost everything, when its not a weapon, And the Sonoma Coast is a really special place in terms of how its been preserved and protected throughout the years. They bring us together with others, again and again. On Being with Krista Tippett December 6, 2016. And its page six of The Hurting Kind. Yeah. Learn more at. And I always thought it was just because I had to work. Im really glad youre enjoying it because theres many more decades. Yeah. In 2014, Tippett was awarded the National Humanities Medal by U.S. President Barack Obama . And I was in the backyard by myself, as many of us were by ourselves. 25 Sep. 2014. Ada Limn is the 24th Poet Laureate of the United States. Tippett: To be made whole/ by being not a witness,/ but witnessed. Can you say a little bit about that? So I want to do two more, also from The Carrying. And enough so that actually, as I would always sort of interrogate her about her beliefs and, Do you think this, do you think that? So we have to do this another time. Limn: And I love it, but I think that you go to it, as a poet, in an awareness of not only its limitations and its failures, but also very curious about where you can push it in order to make it into a new thing. was like that. Supporting organizations and initiatives that uphold a sacred relationship with life on Earth. Ada Limn reads her poem, "Dead Stars.". And it feels important to me whenever Im in a room right now and I havent been in that many rooms with this many people sitting close together that we all just acknowledge that even if we all this exact same configuration of human beings had sat in this exact room in February 2020, and were back now, were changed at a cellular level. I want to say first of all, how happy I am to be doing something with Milkweed, which I have known since I moved to Minnesota, I dont know, over a quarter century ago, to be this magnificent but quiet, local publisher. Im learning so many different ways to be quiet. and gloss. Its got breath, its got all those spaces. Yeah. Exit water, enough sorrow, enough of the air and its ease, So at this point in my notes, I have three words in bold with exclamation points. Discoveries about the gut microbiome, for example, and the gut-brain axis; the fascinating vagus nerve and the power of the neurotransmitters we hear about in piecemeal ways in discussions around mental health. podcast, this great poetry podcast for a while and. Or, Im suffering, or Right. From the earliest years of his career, he investigated how emotions are coded in the muscles of our faces, and how they serve as moral sensory systems. He was called on as Emojis evolved; he consulted on Pete Docters groundbreaking movie Inside Out. And now we have watched it in these 25 years go from strength, to strength, to strength. I want to say first of all, how happy I am to be doing something with Milkweed, which I have known since I moved to Minnesota, I dont know, over a quarter century ago, to be this magnificent but quiet, local publisher. Tippett: I guess maybe you had to quit doing that since you had this new job. We want to do that where we live, and we want to do it walking alongside others.. Yeah. maybe dove, maybe dunno to be honest, too embryonic, too see-through and wee. Limn: Yeah. Limn: That you can be joyful and you can actually be really having a wonderful time. What is the thesis word or the wind? What if we stood up with our synapses and flesh and said, No. I think this poem, for me, is very much about learning to find a home and a sense of belonging in a world where being at peace is actually frowned upon. is a murderous light, so strong. I mean, isnt this therapeutic also for us all to laugh about this now, also to know that we can laugh about it now? Shes teaching me a lesson. And it often falls apart from me. Tippett: And then a trauma of the pandemic was that our breathing became a danger to strangers and beloveds. I mean, thats how we read. Creativity. And for us, it was Sundays. And I feel like its very interesting when you actually have to get away from it, because you can also do the other thing where you focus too much on the breath. And that there was this break when we moved from pictographic language, which is characters which directly refer to the things spoken, and when we moved to the phonetic alphabet. If you would like to hear an uplifting message at a time of global difficulty, come hear Krista Tippett speak at Central Congregational Church in Providence RI at 6:30 pm, Saturday, December 3. And I hope, I dont think anybody here will mind. And then I would be like, Okay, I was there. And the next day Id wake up and be like, Well, I was there yesterday. The Pause is our Saturday morning ritual of a newsletter. "Beauty isn't all about just nice loveliness, like," O'Donohue tells Tippett. And poetry, and poetry. Tippett: Yeah, it was completely unnatural. We literally. Limn: Right. Before the koi were all eaten Join these two friends and interpreters of the human condition for . Youre very young. God, which I dont think were going to get to talk about today. So we have to do this another time. Its repeating words. is the 24th Poet Laureate of the United States. We are fluent in the story of our time marked by catastrophe and dysfunction. It unfolded at the Ted Mann Concert Hall in Minneapolis, in collaboration with Northrop at the University of Minnesota and Ada Limns publisher, Milkweed Editions. But I think there was something deeper going on there, which was that idea of, Oh, this is when you pack up and you move. And I even had a pet mouse named Fred, which you would think I wouldve had a more creative name for the mouse, but his name was Fred. But I also feel a little bit out of practice with this live event thing. The next-generation marine biologist Ayana Elizabeth Johnson would let that reality of belonging show us the way forward. And I feel like the thing that always kept coming back to me, especially in the early days was, What does it do? Well right now it anchors you to the world again and again and again. whats larger within us, toward how we were born. Helping to build a more just, equitable and connected America one creative act at a time. Foundations 4: Calling and Wholeness On Being with Krista Tippett Society & Culture In the modern western world, vocation was equated with work. Adventures into what can replenish and orient us in this wild ride of a time to be alive: biomimicry and the science of awe; spiritual contrarianism and social creativity; pause and poetry and . Yeah, because its made with words, but its also sensory and its bodily. And even as it relieves us of the need to sum everything up. Krista Tippett is the creator and host of the On Being and Becoming Wise podcasts as well as curator of The Civil Conversations Project. and the one that is so relieved to finally be home. And the last voice that you hear singing at the end of our show is Cameron Kinghorn. This is like a self-care poem. It is still the river. But then I just examine all the different ways of being quiet. It wasnt used as a tool. the pummeling of youth. And whats good for my body and my mental health. All of those things. The caesura and the line breaks, its breath. And is it okay for me to spend time looking at this tree? And this poem was basically a list of all the poems I didnt think I could write, because it was the early days of the pandemic, and I kept thinking, just that poetry had kind of given up on me, I guess. What was it? Tippett: So the poem you wrote, Joint Custody. You get asked to read it. And so its giving room to have those failures be a breaking open and for someone else to stand in it and bring whatever they want to it. Tippett: Right. strong and between sleep, And the one Id love you to read is Not the Saddest Thing in the World. This is the one where I felt like theres subtlety to it, but you just named so much in there. And it feels important to me whenever Im in a room right now and I havent been in that many rooms with this many people sitting close together that we all just acknowledge that even if we all this exact same configuration of human beings had sat in this exact room in February 2020, and were back now, were changed at a cellular level. Limn: I think its very dangerous not to have hope. Page 40. cigarette smoke or expertise in recipes or, reading skills. Sometimes its just staring out the window. An electric conversation with Ada Limns wisdom and her poetry a refreshing, full-body experience of how this way with words and sound and silence teaches us about being human at all times, but especially now. Free shipping for many products! What a time to be alive, adrienne maree brown has written. 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